The Black Cell
Three guards hustle me into the building. Not up the stairs. They walk me past a bunch of rooms furnished with desks and chairs, offices they look like, that are of the same configuration as the cells upstairs. At the end of the corridor is a door at right angles to where Simmon’s cell is upstairs.
Is there such a door upstairs as well? I don’t have time to remember because this door is yanked open and I am thrust in. Door slams. I am in the dark.
Pitch dark. Though I see lots of after-perceptions to begin with. The shapes of the men in the enclosure in their opposite colors. Sand-colored, they uncannily resemble Lotor-born melting into a Field of Dreams.
I blink that uncomfortable vision away and in its place see the fencing zig-zagging everywhere. I don’t recall that it was yellow? In its opposite hue it’s a zinging blue. It zig-zags over a face and the diamond shapes within the outlines slowly peel away.
My heart lurches. I know what I’m looking at.
Then I hear the singing. It’s the people in the yard because they sing the Meerkat Totem. Their strong many-voiced singing lifts my spirit.
Charged with surveillance, a meerkat stands sentinel. Charged with caring, a meerkat protects the young. Charged with food gathering, a meerkat leads the foraging. Carrying your family, you carry yourself. Whoever reaches the top, reaches down for the rest.
I hear the whole thing through before I realize they are inserting words. I listen harder. A creeping has begun of something up over my feet.
Charged with surveillance, we will slip away. Charged with caring, slip away from our guards.
The sound is fading because they are moving away, I realize. They’ve been started on their journey. I shift my feet and rub one off with the other. Cockroaches? Wood lice? What else lives in the dark?
Charged with food gathering, we make for the city by the mountains. Carry your family, walk twelve kilometers to the small platform and thirteen more, both into the setting sun. Who reaches the large platform set your face north. Walk twenty-five more.
They will slip away from their guards and make for the Yellow City, fifty kilometers distant and they are telling me the way. Can I walk fifty kilometers?
I’m already walking at a fast clip on the spot in the little area near the door. It’s weird that I don’t feel any insect carapaces crackling under my feet.
No. I know exactly why no crackling. Fear almost has me freezing.
I can’t freeze. Keep walking. Freeze and you will die. I get walking again. I warned my Meerkats to steer away from Lotor’s maw and I am in one myself? Lotor uses a couple of different awful-to-human-people ways to consume us. I snivel. The one in here is called black creep.
It is said that all creatures from off-planet are Lotor’s prey. I’ve never seen any creatures from off-planet other than us, descended from our Ark-Ship’s settlers, and the Earthborn who came as patterns and were reconstituted by the planet. I laugh. How does that make the Earthborn from off-planet?
The sounds I made just then laughing and sniveling, seemed to rise? I laugh some more while I keep walking, mostly on the spot. Almost-echoes from above? How wide, how tall is this cell? I fling out my arms to explore. Ouch! I hit a wall with my fingertips.
I twirl. Yes, my outstretched fingers skim past walls on all three sides, the door I came in through on the fourth. It feels like I am in a chimney.
Still walking, aka lifting my feet and mashing down on the creep, I explore the walls. Every second row is made of squared stones, the length breadth and depth of my forefinger when measured from the outside, knuckle to fingertip.
Ten-cubes, the Shamans call these. The rows between are doubles, two ten-cubes long. Also called bricks, they are just the things to cobble together a little platform to rest on.
I continue exploring, shifting my feet little by little to keep my speed steady. I brush my fingertips up the walls. All building stone is split from the mountains that Lotor extrudes. The Shamans consider them Lotor’s wastes.
I’m searching for missing stones or stones set crookedly. Places where I can get my fingers into, to pull. One unevenly laid cube will give me an in. I ignore the facts I do not have any tools, and that the walls are well made and blank as high as I can reach.
My feet and my legs are always the first to give up. Whenever my big toes don’t make it off the ground, I need to bend over to wipe away the creep by hand. It’s hard to keep up the lifting and setting down while I’m doubled over. No idea of the time outside, and why would I care? How many kilometers have I already walked in here?
For a change I sweep my hands down the wall, stopping short of the ground. Having Lotor’s hungry sand as close as the soles of my feet is near enough.
My fingers brush a bump.
A couple of ten-cubes stick out down there. There’s a rim a fingernail-width deep, two cubes wide. Two cubes further, another such interruption. And another two cubes further, that same row again. That makes three of these strange configurations because they can’t have been accidental?
How high are they?
Five ten-cubes and they finish a single cube’s height above the level of the sand. I let myself get excited. The picture I’m getting is of vertical bars with the cubes between them sticking out, as if they were fitted in after the original build.
All kinds of knowledge cascade through me, the walls aren’t high because they were built to be a prison cell? I bet there are similar sets of columns-and-gaps in the adjacent, and the opposite walls. My knees hit my chest every step I take. Thud. Thud. I’ll be black and blue if I live that long.
I brush the stones with my fingertips, feeling for the irregularities introduced when the gaps were filled. Yes. I grin just for me. Here and here. Leaning into the nearest corner, I un-crick my back in stages because I must not forget to step. Can I rest my two feet on the nearest ledges set as they are at right angles, minuscule though they are? I’ll do anything for a little break from the walking action.
I’m in an evaporation tower that has its air-intake grates bricked in. Not a prison cell at all. Will it help, this knowing? It must. Each of the intake sections has twenty cubes, sixty per grate … I picture the intake vents made to look like grates in a house I once knew. Three grates making one hundred eighty cubes.
My feet keep slipping down. The creep is winning. The height of the evaporation tower will be equivalent to three floors including the ground. It was made by Ark-Ship settlers. There will be no getting through the walls. No getting through the ground floor air intakes low to the ground with their three-slotted structure.
The height of the house in this case is two floors. I know that from seeing it from the outside. The ground floor walls have two interlocking skins of bricks to carry the weight of the second floor. The upper rooms are walled with a single skin of stones to lighten the load.
With one hundred and eighty stones I can make myself a little floor and try to live forever on no food and no water–because the guards won’t feed me in here–or …