https://www.netflix.com/au/title/80104198

I just finished watching Lost in Space, the 2018-2021 version, three seasons over about 2 weeks, and thoroughly enjoyed the series. One reason is that I manage suspense and stress by previewing story-lines. Spoilers are an unimportant concept for me, these days.

Since suffering the recent trauma of cancer, I’ve been unable to watch any really suspenseful fiction due, I think, to the ongoing uncertainties of real life. Will I die if/when I catch Covid? Will the cancer come back? Will we all go to perdition due to climate change? Will we frizzle up in a nuclear disaster?

While the Robinson family are portrayed as nothing less than super at their various jobs, they are also good people even when quarreling. That feels over the top, a bit. Then I remember series like this are not made for cynical old crones like me and I think, Just enjoy it.

When Maureen and John, the parents, become aware of their children’s emotional problems launch right into the right kind of positive affirmations the kids need to overcome their doubts. The realism is in the long time that it takes Maureen, for example, to discover her daughter Penny’s insecurities.

All these familial resonances happen at the same time that life-threatening decisions, intricate repairs, instant inventions, and numerous other events are having to be dealt with. Despite their rate of failure, they’re confident they’ll come through the next impossibly impossible technical problem. They always do because the show is so squeakily wholesome, death does not feature front and center.

The only person, other than robots, that I recall dying was on the screen for less than ten seconds before he was blown out of an airlock. And get this, the person who organized that, agreed to her just desserts. More than that I will not say, in case you do care about spoilers. The robots, where they did survive, were transformed from bad into good.

The ‘science’ was interesting and was made to seem logical. The actors were very convincing even when they obviously had to interact with a green-screen dummy representing Robot or Scarecrow or SAR.

Don, a space mechanic whose best friend was Debbie, his pet chicken, was a welcome contrast to the perfection of the three genius children, their genius mother and their ex-Navy SEAL hero father.

Dr Smith, while also extremely smart, was the frustrating antithesis to them all. Many were the times that she plain outwitted them. An extremely able antagonist, where the bizarre planets and even the robots were cast as forces of nature.

A clever enjoyable series.