Category: watercolor painting

Recovering from Grief

Thinking about grief, and what helped me recover, I was surprised to discover I’ve used the strategy-following four times in the last 25 years.

When I was 50, after two years of floundering with ME/CFS and grieving over the loss of my previous life, I still needed a lot of down-time. I decided I needed an activity I’d never done before to get into a place where I didn’t have to worry about the disease and everything that went with it. Where I could spend a bit of time creating, relaxing, being a normal person. I gave myself an hour, whether I produced anything or not. A lot of time was thinking about it.

Obviously, an activity I’d never done before needed time learning how to do it and lots of it. That was part of the charm. I had a lot of time. I decided I would learn how to write flash fiction, little stories of about 500 words. I’d read plenty but never written other than letters at that point. Learning is by doing. So every morning I would spend an hour writing or thinking up what I would write. On the backs of envelopes and other scrap paper at first. Eventually I got my son a word-processor and used that too. Writing gave me a reason for not feeling bad about having to spend so much time alone. It helped pass the time. As I grew stronger I began to spend more time on it and one thing led to another.

Then my mother died. I recall coming home after the funeral, aware of a huge empty space in my mind where she’d been. I had been thinking I wanted to learn how to paint with watercolors, but no time, sick mother. The next day I bought a cheap set of little tubes, five colors, with two brushes and a plastic daisy-shaped paint mixing thing that I still use six years later.

I painted on all kinds of paper at first, the back of weetbix cartons and the backs of calendars. A few free online youtube lessons and away we go. I posted many of my efforts here and on my FB page. Had a great time in between all the sad thoughts and might’ve beens.

Fast forward to 2020. I was diagnosed with lymphoma, had 5 months of chemo, moved to Brisbane, weak as a kitten, and fumble-fingered in the extreme due to neuropathy, a side effect of my chemo. After a couple of months of recovery I cast around for a way to retrain my fine-motor coordination. I tried knitting but could only hold the knitting pins for a few rows. Flat puzzles didn’t do it for me. Pieces hard to pick up. I got my son’s 30 year old Lego out. Made all his models, learning to follow the instruction booklets. Started to make my own ideas. Decided I needed more Lego … started to feel better. I’m building a tabletop town.

January 2023, with three huge stresses all coming together, I fell apart. I didn’t at first know what was happening. Lots of fatigue. More allergies reared their heads. Fluttering heart. Hot feet. Eventually recalled my ME/CFS symptoms. Learned all the modern names for them. POTS. PEM. To name but two. I was obviously in a flare-up.

At that time I had already been posting little slideshows of my Lego stories to my FB page, for my friends. So when I felt slightly better, I decided to start a blog with Lego stories. That needed a lot of thinking through first. Now already it’s hard to limit myself to one hour a day. There’s the building. Ordering spare parts which means poring over various online secondhand Lego catalogues. Writing stories for the characters to act out. Taking photos of the scenes. Editing photos. Blog posts etc etc.

This is it in case you’re interested. https://reetsbricktown.wordpress.com

Some days I hardly think about my crappy indoor life. Before I know it, it is time to go for a little walk. Then make my dinner. Watch TV one hour. Paint dreams for one hour …this last is my third thing that is helping me recover. Another time for that one. Bed.

Gremlins …

How I imagine the pesky little critters, by Rita de Heer

Despite the Rebuilding the Hardware Store post being downloaded nine times, no one has commented on the irritatingly small size print in the second slide, first slide of the story. Maybe when you download it, it isn’t bothersome?

It’s a puzzle to me that something that seems fixed in a supposedly published text nevertheless changes size when transferred to another platform. Why? Why? Why? And the rest of the slides are fine. Must be a gremlin in the system. One of them above. Painted with watercolors, outlines with black ink.

Wait now, I was going to try a different font.

I see that just talking about it caused the gremlins to cut me down to size by cutting the Albert Sans font down … yet not down to the ‘small’ size mentioned in the box to the right, headed by ‘Typography’, but a size intermediate to ‘small’ and ‘medium’ as the size I’m typing in now is ‘medium’.

Yep. OK. I just customized my size. And so we will type at 20 px forevermore. It looks the same size as the paragraph above. So, something I learned. M is 20 px. I hardly dare to click anything else on the right today.

I was meant to go out … look at this! WTF! I’m not in the habit of swearing out loud but this is very irritating! Small, again. Probably 15 px. I don’t like it.

I was meant to go out today for a medical appointment, a yearly heart check-up. So at nine A/M sat on my couch and fell asleep. Dreamed even. A pair of sharks, visible only by their fins, swam from a moat into a water channel running through a medieval castle. As witnessed by a couple of guards on a pedestrian walkway adjacent. Their surprise woke me.

By about 9.30, with four more completely unrelated dream scenes, I decided a coffee might wake me. Uneventfully washed out my coffee plunger, put in the ground coffee, poured on the not-quite-boiling water. Let it steep for five minutes while I gathered up a load of washing and started the washing machine.

Stirred the plunger with my wooden stirrer, pressed down the plunger and poured the coffee into my favorite mug. As I went to sit back on the couch at the same time setting the mug beside me on a little table, I naturally spilled the coffee all over me and the couch. When did I ever try such a crazy move?

Mopped up. Decided there and then to either have the couch cut apart so I could in a next similar instance–it’s bound to happen again–dry the cushions in the sun; or get a new, different couch. Or probably a different secondhand couch.

I was to leave for the appointment at 2 pm. Plenty of time to get my act together, I thought. With half an hour to spare, it started raining. I had to haul in the washing drying out on the washing line, hang in under the patio. My big plan of catching a bus, walking through a park, catching another bus went out the window. Dithering was my next strategy.

Time went by while I figured out how to get there instead. On foot, rain-coated, walking four kilometres? Not an option while I’m so tired. Cab? None to be had at short notice. Uber? Uber has a problem with my email address that I’ve never been able to fix. Call it an Uber gremlin. Bus the whole way? Four hundred metres to the appropriate bus stop? Don’t think so.

At 1 pm, I called the place to reschedule the appointment. Got to believe I’m ‘sickening for something’ … what I used to call it when I had kids around. I’m fiddling around on this when normally I’m out walking this time of the day. No energy.

Gremlins love it when I’m not well enough to be sharp. What about you, Readers? You have run-ins with gremlins?

I never did get to try another font, either.

Installment 2

Dryad after the Clear-felling, mixed media by Rita de Heer

This gig … of dumping 20 years worth of my work online … is turning out to be harder than I thought it could be. I had real trouble today just going to a File, saving it as a pdf, then inserting it here. This morning I first trapped myself thinking up a good title for this project. “A Broken Universe” sums it up quite nicely, I decided, since I could never get the timeline to gel.

I spent a couple of hours chasing through my Documents File for the long version of the Half Shaman in Space for Installment 3. As if it matters whether I post long or short, or anything in the order of the events, or anything.

But it does. There seem to be a few readers out there. Installment One did quite well.

Could only find a very short version. And I edited a couple of Files. And I did Delete a few odds and ends. Not a wasted day. Finally found what I was looking for in the Trash. Did retrieve it.

But anyway … installment two of the whole story is Half Shaman. One of the two published volumes, as it happens. Go to this Page for the details. https://wordpress.com/page/ritadeheer385131918.blog/1007

‘Imitation or Representation – Art Philosophy’ by …

https://artistcoveries.wordpress.com/2021/03/18/imitation-or-representation-art-philosophy/

My semi-abstract representation of an imaginary creature …

Dryad, After the Clear-Felling, Rita de Heer, 2017

Finally I learned the difference between imitation and representation in art. Thank you, Judith. These concepts have been bothering me for quite a while. When I first started to learn to paint with watercolors, I had to relearn everything I knew. About paint, how to apply the paint, how colors work when you overlay them on other colors, and how to represent the subjects I’m interested in.

I can say ‘represent’ with confidence now. I’ve always represented semi-abstract subjects using acrylics, pen, pencil. I’ve made embroidered, macrame and knitted hangings, and used a darkroom to change my photographs.

[I’m telling you, mobile phones are amazing. Can do everything I did then in the dark room, in the comfort of my arm chair, or on the bus. You know what I’m saying.]

Since I got interested in fungi about thirteen years ago, I have flirted with the idea to perhaps practice botanical drawing or painting. That would mean going back to the life drawing classes I studied in a Visual Media strand long ago … the pure art of imitation, copying the subject of study, stroke by pencil stroke, onto the paper.

Lately though I’ve been asking myself whether I’d have the patience for that now. It’d even more like meditation than laying water colors on paper. Not that that’s a bad thing. But am I ready to let go what I’m still learning?

Artistcoveries

Recently I mentioned the connections between art and philosophy — a branch of study referred to asaesthetics. On this point, which deals with beauty and taste, I’m content to go with the conventional wisdom that says beauty lies in the eye of the beholder. You like what you like. I like what I like. Sometimes we’ll be in agreement as to what is beautiful and note-worthy; at other times we’ll have very different opinions. Still, all is well. We’re each entitled to our opinions.

My study oftonalism, however, has brought me a bit deeper into philosophy and art. I’ve been reading more about the life and work of Asher B. Durand, one of my favorite artists. Several years ago as I first began oil painting, I read Durand’s collection of “Landscape Letters”. While I enjoyed his essays on art, I was beset with questions. I…

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World vs Earth …

Back into the Ooze
Back into the Ooze 2019
by Rita de Heer

Climate change is a World-versus-Earth problem, I heard the other day.

Apparently people still don’t know how completely dependent on Earth our World is. The dragon will pass us by, and with a flick of its flaming tongue, or tail, will drag us with it into the inferno.

Earth is a planet that supports Life and is an inseparable part of it.

World is the human culture, the where and the what that we build and extract and dig and superimpose on the soil, that thinnest of layers between us and bed-rock.

The same bed-rock that we can not survive on without the natural services provided by sunlight, water, air, and soil. Is that really so hard to understand?

Air? Another thin thin layer. Above us. Blue where and when the Earth continues its work. A disgusting tan yellow where we think we have improved our lives. Where industry and wrong-living coughs out smoke and smog, dust and death. Dragons.

Water. Oh my people, Ocean is in so much trouble. We warm it. We degrade it. We dynamite and pillage, we fill it with cast-off refuse, we leak oil and bilge waters, spread disease and alien creatures, and still we expect whales, pristine rain, sparkling springs and sweet lakes of fresh water.

Life is the miracle that has become, and grown, and evolved over unimaginable distances and stretches of time. Life is the lives that by the millions have come and have gone, like stitches over and under, through the fabric of time.

We sapiens, living for ten or twenty thousand generations and perhaps two more, will dive under and also be gone.

Art: Dune’s Fremen & Sandworm

Front cover of card with close-up of one of the fremen warriors of Dune

A couple of the reviews I’ve read of the new film version of ‘Dune’ by Frank Herbert, have said how much better it was having read the book first. So ordered my near-and-dear co-SF reader a copy that would not make it in time for his birthday, supply chain troubles and so forth.

Decided to paint him a birthday card as a teaser, and whispered a promise to our four-year-old descendant–in a fit of over-the-top confidence–to make it a ‘pop-out scary-monster’ card.

Luckily, I had Youtube to help me. Pop-out cards are a favorite subject for craft and I soon found more than I needed.

Since this is the first pop-out I’ve ever made, I managed to stretch a four stage process into about ten steps.

But feel reasonably pleased with the result. {Had to make the sandworm more recognizably a monster … I know the maw is different in the movie.}

A Fremen on one of Dune’s Sandworms, hooking open its maw to stop it diving under the sand

Intertwined?

Days 4-7 of Inktober 2021, a cultural practice by Rita de Heer

Just how intertwined are we, with Nature?

Here, in this cultural practice of applying pigments to paper, pasting scraps to paper bound in book-form, and drawing over the top with an ink pen made of petrol-based polymer filled with petrol-based ink?

Not much at all. Because cultural practices are part of what we do in the World, right?

Pigments are powdered clays, lichens and mosses, madders and goldenrods, rust, verdigris, pewter and gold. Some of Nature’s bounty.

Bound with gums, latex, and oils.

En-tubed, slopped into pots, or dried in patties.

[Sold, which is a whole other story.]

Livened with water … the best is straight from the deep ground, unadulterated with unnatural chemicals such as chlorine and fluorides.

Applied to papers linens, canvas, parchments; wood panels, bone, and teeth; applied to stone.

Using brushes made of bunching the tail hairs of a myriad of different furry animals, as well as threads drawn from petroleum products such as nylon, rayon, polyesters: all of them products of the sun’s action on eon-old vegetation when you go right to the origin.

Air drying is preferable but takes a long time, so people who can’t wait use hair-dryers that often use a variation on the theme, electricity stoked with coal.

[If framed, that’s another story]

We are intertwined.

Inktober, 2021

Day 4 to 7, Rita de Heer

Inspiration is everywhere but I like to start with a scrap of painted watercolor exercise, of which I have many. Tearing and cutting, I lay them out in a collage and hope I remember to glue them down before I start the drawing and sketching.

This page done with a uniball ink pen, which behaves very well on thickly coated mixed media paper. On the unpainted craftbook pages the ink sinks in and often wants to spread.

State-of-Being

Back Into the Ooze,
watercolor and black marker pen by Rita de Heer,
what I thought was going to happen to me.
You’ll find me diving down into it mid-painting

Up until September 14 2020 I lived in New South Wales, in Australia. On that day, a friend drove me to the adjoining state Queensland and negotiated with the border police to get me through the Covid 19 barrier between the two states. I was sicker than anyone guessed.

My friend took me to hospital where I was diagnosed with stage 4 lymphoma, a cancer of the immune system. Treatment began right away. Chemo. Six cycles of R-CHOP at three weekly intervals. Then four lumbar punctures with same drugs and a rituximab (monoclonal antibody) chaser. My last treatment and PET scan in February. I’m in remission.

Long time readers will say that I’ve said all that before. I have. I wanted to feel what it felt like now, to look back on it, six months down the track.

At first, being in remission was the most frightening place on Earth. The reality of dealing with the after- and side-effects of both the chemo and the lymphoma on my own was pure anxiety. Luckily there’s a really good support group on FaceBook that we haunt, all of us in the Downunder Lymphoma boat, and I’ve only had to call the ambulance twice. So here I am, six months into the remission journey.

What with Covid lock-downs and a really low immune system … like, no B cells! … I’ve been pretty well housebound except for food shopping, doctors appointments and walks. So I thought I’d get back into writing reading knitting music pretty easily. Lots of time after all.

I’d be lying if I told you yes, really easy.

Early on I spent most of my time sorting through the stuff that came with my decision to stay in Brisbane. I had a lot of books, not all of them fit on the shelves I now have. Clothes, the same. Textile crafts, the same. And I’m still at it, every so often. Divesting myself of my old life to be able to fit into my new life.

I’ll write that sentence again and even bold it. Divesting myself of my old life to be able to fit into my new life.

It suggests my new life is smaller. I’m not talking about its length, more what I can do in my days … and so also today, this minute, I need to stop this meandering. More on this as time permits.