Inktober, 2021

Day 4 to 7, Rita de Heer

Inspiration is everywhere but I like to start with a scrap of painted watercolor exercise, of which I have many. Tearing and cutting, I lay them out in a collage and hope I remember to glue them down before I start the drawing and sketching.

This page done with a uniball ink pen, which behaves very well on thickly coated mixed media paper. On the unpainted craftbook pages the ink sinks in and often wants to spread.

Art: #Huevember 2019

24. Path through to the Beach

This time last year, being under the mistaken apprehension that if I painted every day for thirty days that would then be a habit, and I would continue to paint every day.

But as we all know when the pressure is off, we tend to relax. I seem to recall I achieved an unbroken 24 day run of painting, followed by some patchy efforts thereafter.

During the time I painted for #huevember2019, I used postcard-sized paper and I’d have up to four scenes on the go at the same time. For that size paintings I need 2 or 3 passes with drying times in between.

On a particular day I’d take a look at what I had in hand, and decide which one to finish for that day. Above is the claustrophobic push through tall shrubbery to the beach. Of course, by the time ten surfers have pushed their way through, there is quite a well-delineated path.

I’m still such a beginner, that I’m always testing something. I think I was using the sepia for the first time that Sharon at the art shop talked me into. A greenish-olivey tint that she said she got more mileage out of than true sepia.

Mixed feelings about it then and now. Not that I’ve done any painting for the last six months. My paints are packed up with all the rest of my chattels, in storage.

Art: #huevember2019, 2

Big fish cruising

This began as a piece of paper I used for practicing leaf shapes with a new brush, using indigo with a bit of yellow top and bottom.

Then, doing this project, I’m recycling paper as I go since everything I do is trial and error.

So, when trying phthalo blue over indigo and mopping out the centres of shapes–another thing to practice–that fish became a thing when I added its eye.

I realize that it is only through the corrugations formed by leaf shapes that I have a shaped mouth, and that I’ll probably never be able to reproduce it.

Bat out of Hell, Nov 17

This pic began with red. Bush-fires have burnt out large swathes of forest and hundreds of animals have died, four humans among them.

Red mixed with indigo and phthalo blue gave me the fire-ground. Indigo for the bat with a touch of orange for its eyes. The blue touches contrasted and made the clouds. Made it realistic, in fact.

After the Fire, Nov 19

After the fire when dead trees stand smoking and still aglow. The sun still shines, an angry ball. This little scene was to give me shades in indigo, but as usual I get carried away by the content.