Those of us in my region living in towns feel ourselves fairly safe in this emergency. So far. People from out of town have been evacuated and are staying with us. Others ask us to store their precious goods. I’m hosting four musical instruments and three large containers with photos and documents.
Recharging batteries is another thing we can do for people who no longer have electricity laid on. Whose power lines and generator sheds have been burned. In two cases I heard of today, the fire was stopped only a few meters from the main house.
The bushfire season began early this year. We’ve been burning since September, and the fires are getting worse, if that’s possible. Hotter, faster, and more destructive. In the past, diligent back-burning and fuel reduction in winter reduced your chances of being burnt out in summer. Now there’s hardly time. Winters are shorter and we’ve had less than half the rain we had last year when we already had a third less than in 2017.
It’s possible for a fire-ground to be burnt twice in two months. This despite the traditional view that rain-forest plantings, in contrast to Eucalyptus forest, will protect your property. No such thing now. Fires burn so hot that rainforests don’t stand a chance and they don’t grow back the way eucalyptus trees recover.
How will we live in a forever-blackened landscape?
Catherine Ingram’s article Facing Extinction, about the state of the world and humanity’s chances of surviving, is more a prescription for coping with the grief than a wake up call. It’s too late, she says, to try and save our Nature.
The way my countryside is burning, it certainly feels too late. I’m with Landcare. We plant trees. What if no trees survive either? It’s difficult to plan how to live now, when there’s said to be no future.
As well as tripping over imagery while researching online, I use photos and any images I may have produced in the past and present, as inspiration for my writing.
Though inspiration may not be the exact word.
Often I need to describe something so that it resembles reality. Landscapes are easy. Find a photo of a landscape and describe how your MC operates in it. Old calendars are great, although they do get cliched, almost always using the same Disney-esque castle in Bavaria, for example. Travel photos, my own and anyone else’s, are my next resource. But, of course, sometimes I’ll want a landscape not on Earth.
And this year I tripped over #huevember. “Make one painting every day of the week, using the appropriate color on the color wheel as the main color for that day.”
I could do that, I thought. If I was painting. [I hadn’t painted for over 6 months when I thought that.]
But, once you do start thinking that way, it’s hard not to get excited by something like #huevember. So. I fell for the dark orange dedicated to November 7, got my paints out and continued the journey of learning to paint with watercolors.
Here I painted over the top of an uninteresting yellow scene. Turned out pretty impressive and got me over my initial will-I-won’t-I-commit doubts.
I painted this one over an uninteresting pink scene and didn’t get the desired burn-orange hue. May do it again sometime …
Scarlet … I don’t have a cool red tubepaint, or watercolor crayon. Had to dig out some old aquarelle pencils. This is an experimental animal-look pattern that might work for a shaman’s cloak.
A sad thing to report … Miss Maggy-bag was euthanased this morning due to tick paralysis. She was eleven years old and the most intrepid cat I’ve ever had the pleasure of guesting.
Intrepid because though she was too swaggy and inept to climb trees, she ran up walls after Asian House geckos, up fences to see off intruding felines and up the shade-cloth shed to sneer at the neighbor’s dogs.
She lost every collar with bells she was forced to wear as well as every flea collar. Under the house there will be a place where all these things lie, a testimony to a smart cat.
She was missing for sixteen hours. When I called her I only heard that squashed-frog sound, that frogs make when they are stuck in the drainpipes and it’s raining.
Finally found her at the bottom of the steps, cold, wet and unable to move. That noise was her, even her vocal chords were paralyzed.
I could’ve taken out a loan and gone through all the rigmarole of seeing if she’d make it with the antivenin, but she was 8x smaller than my dog who got a tick the same size and barely made it.
So I have her at home, swaddled in a towel, dead on my lap. It’s easy to imagine she is still alive because she is lying against me and I am breathing, she with me. It’s raining at the present, softening the ground. Later I’ll go out and dig a hole.
First, being in a state of nit-picking doubt about my novel Meld, I re-read about the need for micro tension at sentence level. The novel’s so far milky pale sentences paraded in front of my mind’s eyes. I wondered where or when to start. Continue writing pale and milky? Start writing micro tension when I’m about half way? I haven’t even finished the first draft?
That was last week.
I started writing micro tension in Zebe’s POV chapter—where my head was at that moment—but soon hit a place where Zebe’s mood needed to be able to play off a moment of micro-tension that should’ve been written several chapters earlier.
Writing is a lot like sketching. For me, anyway. Sketching, I make a mark on my paper. Another mark alongside it, or continuing from it. If I make a mark in what proves to be a wrong place, I’ll erase it, and redraw it in a better place, or draw over the top of it.
Getting a story down, if I change direction, I can’t just keep writing into the now incorrect direction. I need to go back and change where that direction is coming from, to be able to remember it correctly for the next swag of material to be fitted into place.
And so I decided I need to start again, again. Bring the manuscript up to scratch before continuing.
BUT the day I present the Fungi Walk-and-Talk is approaching. Saturday 21 at 1 pm I’ll be out in Brunswick Valley Heritage Park trailing twenty keen-to-learn-all-about-fungi learners. Gone are Zebe and her problems. Because this week I’ve needed to refresh my mind on all things fungi. The novel is on the back-burner of the writing stove again.
Because, yes, there is what started as a little idea on the front burner. I asked myself, what could be a better way to practice writing micro-tension than with single, or at most two sentence stories? Of course I agreed. Who doesn’t, when they’re talking positivity at themselves?
Little stories they’ll be, part of larger stories of approximately 30 sentences and or 300 words. With that word count it could only be a kid’s book. Inevitably, I mashed that idea onto the Duplo story idea.
The Duplo people are tired of living in a box … They build a staircase for everyone to get up, and out…
[The staircase (previous post) is a MOC I learned, which is an acronym for My Own Creation.]
I’m using these sentences to learn my new version of Powerpoint, which is the only appropriate format I could find to publish a read-aloud book for toddlers. That, as well as another idea, is also a justification/rationalization to continue with this much more finishable project when I could working on my so far 77k sf manuscript.
At the same time as studying up on Fungi, of course.
This is the 83rd fungus I have observed in Brunswick Valley Heritage Park, a white crust … type 13 … that apparently parasitizes the undersides of ‘waxy’ and ‘pikelet-like’ brackets.
My filing system is littered with labels like that. Crusts get a number. Polypores and Agarics get descriptive words if I don’t have any other clue.
Fungi have three main life-styles. They are parasitic, like the one above, living on other organisms; they are saprophytic, consuming dead wood … if we didn’t have saprophytic fungi we’d be neck-deep in wood; and they can be mycorrhizal in habit.
Mycorrhizal fungi help keep us alive, by helping to keep 95% of plants alive. They help plants to gain more nutrients and moisture when plants and trees themselves can’t reach, by extending plant roots with fungal mycelium.