Yesterday I was reminded that Bosley & Co need at least 2 more hard hats to be able to pass building inspections. Off went another order to BrickResales.com.au for hard hats, a few other building site necessities, and a trio of frying pans for the new outdoor dining setup. LBT’s (Australian delicacy: lettuce bacon and tomato sandwiches) coming up.
While most of the structures I build are MOCs, aka My Own Creations–for the ongoing story– every so often I buy a set for what I can learn from them.
This week, I tackled the (shown above) Campervan Model #Lego60283. Took me a couple of thoroughly enjoyable hours to put it together at the same time learning two techniques that’ll help me keep the interiors of my own models accessible.
First there is the camper’s easily lifted off roof. This has made access to the vehicle’s roof spaces so easy, I’m planning to use the technique for some of the apartments in Bosley & Co’s proposed multi-storey build.
Starting with the ground-floor cabins, I discovered that once you put a roof on a place, the windows and doors are too small for adult fingers to access the interior. Furniture, for example, that needs to be installed inside, has to be done during the build, or the build carefully dismantled and done again with extras included.
In that mode, there are cabins on the site that have been built three times. Jackie and Jed Cranedriver’s now very fancy hut is a case in point. Version One looked like a grey box. Version Two had some color in it.
Third time, this time, it has a swing-open wall similar to the one in the camper-van. I love it. Though it will take further study to get the colors matching where they are meant to. I can foresee a fourth rebuild.
For something completely different, helped along considerably by losing my internet link and having only ordinary television, I started watching LEGO Masters. Much less depressing than everything else on offer.
My interest in Lego began when I received a box of red components, the approximate size of a pack of cards, way back in my childhood. Both my brothers and I were given a set each as presents before our family left on the first of of its sea voyages.
I think my set probably represented the build of a little red house. I recall a red framed window-piece, bits of red roofing-tile and some red eight stud bricks for the walls.
It’s an off-the-planet experience for me to see a bunch of eight adult teams race each other and the clock to produce amazing masterpieces using all the colors available, pressing thousands of small pieces together and coming up with astounding themes. The builds tonight required the interpretation of a fairy story.
Apart from the sheer inventiveness of the projects, the thing that grabs me most is the complexity of the meta-world that surrounds the Lego phenomenon. There’s Lego-specific jargon to describe, for example, each Lego piece. SNOT pieces? Only users will know what they mean. And as for acronyms? There may be a dozen that probably even the Urban Dictionary doesn’t know.
And there’s a language for critiquing the builds. How else would the best be chosen, you might ask? But seriously, this language rivals the language invented to describe post-rock music that I studied last year. One of my interests is how specialist terminology can help or hinder enjoyment of the art they describe. In the case of Lego-critiquing, the Lego specific terminology definitely helped me to see and appreciate the different projects’ intricate complexities.