In the Biesboschen …

In the Biesboschen
Four hundred begettings ago,
Hunting, fishing and gathering
We people followed the narrow under-tree paths
of deer and swine.

Otter-Wijf might then have been my name.
Hung with bones, herbs and a wisert’s skin
I walked and walked and walked the cool under-tree paths
Of our home range.

— — — —

With this painting and poem I’ve tried to manifest a dream in which I had the clearest sensation that I walked through sand–making those little squeaks–in an ancient Dutch setting. Otter-wijf was my name and I wore a leather shoulder bag with dried herbs in it, and a leather wrap about my shoulders.

It was the uncanniest thing when I woke, no longer wearing the wrap or the bag when only seconds before they felt as real, as the bed-sheets a few seconds later.

Test Painting

The minute I painted a 25% strength hi gloss acrylic glaze over these stilt dancers, to see what would happen, this became my test painting.

The glossiness of the glaze was cut right back I was glad to discover. The suggestion to glaze came from johnlovett.com …. I may have said before that I’m not keen on framing pictures behind glass.

I have a couple of paintings on the go where I’m scared to touch the good stuff with more water, and so destroy them. though they bothneed more work. What to do?

Got the test painting out. Touched up cartain areas with acrylic paints. Let them dry overnight. Did it work? Did the acrylics rub off? Yes for the first question. No for the second.

The dark red fronds were overpainted with acrylics. The deep gold ditto. The greenish base, also. And none of it, upon scratching, comes off.

So, I’m good to go with sealing my Geriatric Aviatrix, and touching up her scarf with acrylics, because touching her up with water color over gouache might be a disaster …

‘Spatter and Spray’

… is a way of painting with watercolors, I’ve discovered. And I’m in the throes of experimenting using the technique.

First came across it on Susan Cornelis’s blog. https://susancornelis.wordpress.com/wp-content/uploads/2025/03/googleeye.jpg

So I’ve fallen in love with granulating paints. My first effort was Miss Tabitha…

Ordered a couple more tubes of granulating paint and washed out a fine spray bottle originally used for a deodorant.

Second, this fish. I call it a bottom feeder, but may rename it … I’m having so much trouble getting this from my mobile … might have to do magic. Like, abracadabra … OK I’ve got it. Ended up saving it to the desktop … isn’t she beautiful? A spatter and spray painting barely touched up. Well, OK, I painted the scales. The rest is dabbed. Not yet sealed.

This is the top half of my third effort. I’ll tentatively call it The Aviatrix. The bottom half of this painting is still a problem. one thing is for sure, I’m learning a lot about gouache.

It’s hard to believe what you can get from spattering paint onto the paper then spraying it with water. But that’s only the first layer. You let it dry, then the next day, if the pattern you have doesn’t yet suggest anything to you, you do it again. Like I did with this one. The third day, this aviatrix lay there waiting for me. I painted some of the areas to increase that likeness and here she is.

The bottom half of her face needed work of a different sort. After my efforts first with gesso, then with gouache that’s still in the thought-pan, and another post.

As well as the spatter and spray technique, I’m experimenting with sealing my watercolor paintings with an acrylic varnish. I hate the look of paintings behind glass or the whole process of framing. Miss Tabitha has been varnished and the look is good.

And plus, I don’t have enough wall space to hang everything I paint. Nor will I foist amateurish experiments on my nearest and dearest. So, most must be stored. Varnishing them seems like a good option.

The varnish I’m using is water-based so easy to cut. A mixture of 25% acrylic varnish in 75% water seems to be working pretty well. Ideally this should be sprayed on but since I’m still only experimenting, I’m laying the varnish on the painting with a watercolor mop brush. A time-consuming procedure but the only one I can afford at the moment.

The Gesso Project …

Finally able to do a bit more work on my big painting project. Out on the balcony it’s been either too hot 36 degree Celsius, or too wet, or both.

Today an early thunderstorm and short period of rain cleared the air. Painted the sky, a plain blue. Half of the mountainous mid-ground, a variegated green and brown.

As it’s drying, I notice hundreds of places where the paint hasn’t touched, or the paint is shrinking back. It will need a third coat.

It’s meant to be a backdrop for my brick stories.

Next time …

Gesso’ing …

Starting a large new project with a four x A3 length of gesso and tissue paper …

In other words, laying down a landscape and at the same time attempting to camouflage the joins.

The whole thing sodden with a mix of water and gesso. And that is a jar of medium strength watered-down gesso still possible to use as paint. s

A econd jar with a jellified gesso that had to be scooped out and softened to a paintable sloppiness … glad I got to it when I did as next week or month it mightve been to dry/hard to use.

As usual, I’m re-using remnants of an old project. I’m sorry to discover that the joins are very obvious in a photo.

The hope for this first stage is that the paper backing dries flat and I get rid of the big vertical … what would you call them? Not creases. Give me a hint? I can only think of a couple of Dutch words. ‘Rimpels’ and ‘golven’ spring to mind.

One of the things about old age is that ‘mother tongues’ IE the language a person grew up with, tend to come back. And I’m definitely noticing that. If I can’t think of an appropriate word in English, I’ll come up with a Dutch one.

Watercolour Painting …

I’ve been doing booklets using free form paintings for a while … producing these for eventual sale at a residents open day.

After two or three, it became difficult to replicate methods while staying original.

So—big think later—decided to paint structured pre sketched scenes where I could practice perspective, and revise different techniques on a small scale.

Also to be made into little books eventually

A front door … a couple of things that can be improved on next time …

A back gate next, where I did a bit of wet on wet …

Art: Evercool by GC Myers

One of the many suppressed longings of creation which cry after fulfilment is for neglected joys within reach; while we are busy pursuing chimerical …
Evercool

This morning found another artist whose paintings ‘speak’ to me. Simple at first glance with well defined shapes. The colours, how I also like to outline them.

But complex, too. Layers signified by tree branches in front and behind. The road topping hills and going out of sight in the dales. Thetr is distance and perspective.

And there’s luscious substance, not to forget. Shapes shadowed as they curve inward to meet the bedrock of the canvas.

I like it a lot.