Fiction: Avatar Remaindered: 21

Storm over Lake Ebb (a salt lake), watercolor and gouache painting by Rita de Heer

The Dream, or Was It?

Sard woke. How many more times would he have to wake in this story? When we gamed in CAVE, we don’t bother with night and day. It was always day. He let his thoughts continue on to CAVE.

“Oh look, he’s waking up,” said someone. A girlish voice. Sard turned to see her but there was no one with him in the rock hole. Huh. “Where will we have him?” said someone else he almost knew. He started to try to remember him.

“We haven’t seen him do anything real yet.” Different boy. Just figuring how many players is all I have time for? “Can you believe that it’s one of the avatars in that suit?” First boy again. “I thought they’d all been cast out?”

“Let’s try that village at the edge of the salt lake,” the original girl said.

Sard gave up.

Someone sounding a lot like Gre…Greg?…chuckled. “You mean Sard and Srese Yonker, and Youk Kerr? You are a dim-witted bunch if you’ve forgotten them already. Do it. I want to see Sard in that village. I want to see how Sard reacts.”

Being warned, Sard held onto stone left and right. He heard swearing off stage, scoffed at himself. Yeah right. How did I even know that?

He closed his eyes—his thoughts went fuzzy and his whole body shook—bones, flesh, heart and head. His ears funnelled in a loud incessant buzz. This doesn’t sound like somewhere I want to be. He pinched himself. Ouch. I’m awake?

He opened his eyes. Where is this place? Village at the edge of the salt lake reverberated in his thoughts. Can’t see either a salt lake or any houses. Only thing he could see straight in front was the underside of his stair-set of drawers that he’d had since childhood.

Was it them at an arm’s length distance? He marvelled running his fingers over the silky timber undersides of the fourth, fifth, and sixth drawers. He leaned forward. I wonder if the crabby life-suit entity brought all my treasures in the drawers as well?

Stop. I don’t want to give the damned life-suit entity the satisfaction. He lay back, thought about the drawers themselves to distract himself. Old and older, maybe the oldest piece of furniture in the habitat, according to Ghulia, and inherited through her from her forebears.

Passing concrete objects down through the generations shouldn’t even be possible, given the anonymous way they were made. How did she manage it? And why the drawers here—he looked beyond the staircase they were part of, and through an open doorway—in this lime-stone white house at the edge of a salt lake?

No one out there. No. Wait. A bunch of people dressed in white, walked half-heartedly, even hesitantly, out on the salt. They all wore a thing over their eyes. Looks like a swim-mask, people. You look ridiculous. He felt his face. No mask himself.

< You don’t need virtual-world goggles. You are wearing me. >

Sard laughed. I am wearing a life-suit colonised by an AI entity. It confirmed his suspicions. Apart from that, I am inside a virtual building somewhere, as well as in an actual rock-shelter.

“He went in here,” said a voice he knew. Greg came into view, also with swim-goggles over his face, and leapt up the stairs. Dust from between the treads spurted into Sard’s face. He was under the stairs he saw, recognising the boxed-in treads. They are the drawers containing my life.

< You’re wondering how a life-suit knew about your drawers? >

“Not really,” Sard said. The way the entity said ‘life-suit’ gave the game away. If it was a game. Preening and so superior, as if an ordinary life-suit was far beneath what the entity itself was capable of. Which might be true, remember that.

The people watching or involved in the interactive play, seemed to think they were involved in a game. Sard listened interestedly to the stomping on the floor above, and the high, excited voices up there. Everyone ran up and down the stairs at least twice each.

Then the search continued in the room alongside the stairs—with him in plain sight he would’ve thought—and then the room beyond, a kitchen maybe. Plenty of people called out they saw him whenever someone thought they found him.

Nobody did, though he wasn’t hiding particularly, just laying on a pallet under the stairs. All they had to do was glance aside. But they of course wore the goggles that were in the control of the entity that also controlled the life-suit.

< These people have had things too easy for far too long. >

Whatever the stupid entity meant with that apart from the glaring fact that it—the entity—was now in charge. It now seemed to Sard that Gammy—the AI owner of CAVE who once was Gamester—a regular human being who had his brain pattern uploaded into a computer—had ruled by division. All energy-chewing tasks were separated. Life-suits could not communicate with the virtual goggles. Gammy’s strategies were to preserve the system for as long as possible.

This entity obviously had no such desire. He wouldn’t be surprised if CAVE ended during its reign. Did it even know what it wanted? And what did it know about Sard’s people? Because how easy was it in fact to know that every move you made was being judged, and if you didn’t come up to the expectations of the pernickety AI in charge, you’d be moldecked without regrets? You were told a fantasy that you’d be reborn. Better luck next time, people had learned to say to each other.

Who, or what, was this entity?

“Got you!” Greg said. He’d shoved his mask up on his forehead. He grabbed Sard by an arm and dragged him into the open. “Let’s get you into the daylight. I knew you’d be somewhere in plain sight.” He stood Sard on his two feet.

“I’m surprised to find you in the game, oh noble warrior,” Sard said. “It’s quite a short trip, it seems, from standing back all your life to suddenly being as involved as any Tom, Hinny and Darren.”

Greg hesitated. He dropped his hands from Sard, and tore off his mask, which squawked as if the life-suit entity had an audio channel in it, and it resisted. His dazed expression cleared to the one Sard recognised as the Greg he knew.

“Same old Sard. You calling me out?” Greg said.

“Just wondering what the hell is going on?” Sard said. “Not like you to be taken in by anything an AI serves up?” He replied with the same tone Greg gave him.

Greg frowned. “An AI? Other than Gammy, you’re saying?”

Sard gestured at the houses made from blocks of pristine limestone, at the sheet of white glare beyond. “When did Gammy ever serve us up with this? Or peopled it with swim-goggles and a life-suit at the same time? I think he’s been overwritten. You probably know better than me what with.” He didn’t dare go further.

Greg grinned. “What’s it like, wearing it?”

The thing in the life-suit slammed Sard to the ground hard enough that he hurt. < Next time stay where I put you. >

Next it slammed Greg down beside him. It must have, no way would Greg ever purposely throw himself down beside Sard and lay there winded and looking concussed.

Thinking to check Greg’s life-status, Sard put his hand on Greg’s chest. The AI messaged Greg and it reverberated up Sard’s arm. < Don’t make me over-write you as well. >

It could do that? “Drop the mask,” Sard mouthed at Greg.

Greg nodded minimally. Freeing his fingers from the mask’s strap, he leapt to his feet. “Come on, Sard. Let’s go. Save yourself.”

The life-suit squeezed Sard the way he had come to know. The python trick. “You,” he gasped. “You save yourself!” The life-suit picked him up and forced him to run at Greg on four feet, like a beast.

Greg grimaced horror, turned and ran into a corridor.

< Your body lies on the plateau. There is no going or coming other than with me. > < Wait here. >

The life-suit forced Sard back into the hutch under the stairs.

Reading …

One of my quarterly goals (Third Quarter) for Discord.com’s The Writing Cartel is to read at least one book a week. Going all right with that goal. I’ve probably read two books a week up to now but that progress may slow when I try to continue my writing progress in the new WIP and finish the old WIP.

Getting distancing happening in MELD to be able to re-think the last couple of chapters is my second goal. The idea is to enable the supporting MC into a stronger role ready for part 3 of the trilogy.

I’ve just finished reading The Lies of Locke Lamora by Scott Lynch. Its fantasy and the world building is out of this world. I loved the main character … he’s a great thief but absolutely the worst skilled murderer in the Gentlemen Bastards, needs other people to save him quite often; lots of twists and unexpected turns in the plot.

The thing that surprised me most, considering I was reading fantasy, was the late introduction of magic … probably about a third way in before it was used. By then I’d almost forgotten there was such a thing as magic. The culture in this world is so well thought out. Commerce is there, being used for scams by the Bastards. Twelve acceptable religions and one unacceptable all have their place. there are plenty of poor people, middle income, and rich all trying to live their own lives. Festivals are fabulous, including the shark combats.

There is a lot of killing murdering dueling sword play and other more intricately inventive ways of getting rid of enemies. lots of swearing. Most memorable line? Memorable lines, I should say. More than I can say. A great read … it will be one of my favorites this quarter.

Just Thinking 1: Why Write

In the Fields embroidered by Rita de Heer

It’s useless to be thinking about the future when you are starting out, on anything. You start your working life putting up signs, you have no clue that one day you might be working on high rises installing in glass walls with the help of a robot.

People starting out as writers are the same. I started with writing poetry. I had no idea then that one day I’d take on an sf trilogy.

Nearly everybody here in the Discord’s Writing Cartel has a world/universe that they are either writing into or using as scene setting for any number of creative projects. Yesterday I watched a short film on Youtube, there are people developing games, writing novels, short stories, you name it, it’s being written.

Every one of these worlds/galaxies/universes are huge. Many of us have spent every spare moment of our boring work lives thinking up detail. There will always be areas in any of these worlds that will stay private to their creator, and other areas that will see heavy traffic of stories.

We’re all doing it for the love of it. World building is one of the most satisfying mind games we all engage in, relaxing and psychologically uplifting. Next comes the harder thing. Convincing other people to put their own worlds aside for an hour, and engage with us in ours. So we write stories, develop adventure games, produce visuals, film about our worlds.

The Discord Writing Cartel community is all about sticking our toes in the waters of our worlds, writing though the shallows, and finally committing ourselves to writing fully fledged stories to share first with each other, then with the world.

Only then, with that last word, can you start thinking about how much money you might make.
Though, of course, these are just my own thoughts. Take them well salted.

Reprise

‘Reprise’, disappointingly, merely means a repeat of something. I always thought that ‘doing a reprise’ meant making a correction. That the repeat would intentionally be better than the original. Well, that is the flavor of this post.

What I wrote yesterday? Pure verbiage. When I read such drivel elsewhere I move on. Yesterday’s effort shall join the deleted pile.

Mapping is a vast subject when there’s a whole world to be mapped. Or, in this case, when there are eleven islands to describe. And, if there are to be people on the ground doing the mapping, what scale will they use? Travelling on foot, for example, produces a whole different understanding of a world than travelling by ship.

Arit and Hellion, the couple introduced so impulsively, are on foot. So far, if Arit were more involved in the mapping aspect, she might have drawn three parallel horizontal lines in her journal: the lower one representing the edge of the beach, the next two the near and far edges of the red sand road. Beyond the road she could perhaps scribble some shrubbery and outline the wallow …

1-red-aus-road-copy
Same present day road again.

Instead, she and Hellion have involved themselves in the local life, in the story of the Eleven Islands. They’ve just treated a Skin-Torn youth for his wounds and infections. And Arit has drawn her line in the sand. Despite her lack of knowledge of any other people in the scenario, her sympathies are all for the Skin-Torn youth’s people.

As a result, they are in a quandary. As is their trip planner. It’s obvious now that the idea to masquerade them as a pair of neutral, sight-seeing tourists was never going to work. How now to proceed with this project?

Page Redesign … Already?

Earlier today, I totally changed both the intent and the content of the page I added yesterday.

Now called The Eleven Islands, it will be where for the present I will post snippets about the way The Eleven Islands world is being created … Yes, that process is ongoing too … followed by little travel talks in which I’ll describe how the islands work for their residents, and for travelers negotiating for their passage with those residents.

The troubled waters of the Great Southern Ocean

Souzadelay and Bight are two islands in the extreme south of the group that some people still call the Australia Archipelago. That name was changed at the request of geographers claiming confusion with islands such as Eastralia and Westralee. Want to read more? Click on The Eleven Islands page …