Reuse, Repair, Repurpose, Recycle

Thankfully, Carindale Mall’s Apple outlet encourages people to bring in their old Apple appliances for recycling. Getting rid of my old laptop didn’t need me asking someone to drive me to the tip, I swung by on one of my shopping trips.

Ditto the iPhone wandering from cupboard to shelf to benchtop unable to be switched on. I could’ve sent it to mobilemuster.org but that would’ve meant a trip to the post office by bus and money to send.

Another initiative also in the Carindale Shopping Centre, is the Food Bank out the front of Woollies. That’s where I bring unopened food products I’ve bought and brought home, and then reading the finely printed ingredients list, discover an ingredient on my dietary exclusions list.

I love how there are beginning to be recycling opportunities in places where people need to go anyway—to not have to spend money, time, and cough out CO2 and petrol fumes—to recycle.

Camera and mobile phone places often have a box out front for batteries to be recycled. One of the bookshops takes secondhand books in good condition, which was another good discovery. As I get more books relating to the course I’m studying, I also need to send other books on their way. Shelf space is limited.

Then there are opportunities for repair. All three pairs of my bamboo socks were starting to thin in places. The solution to that are patches. I usually crochet patches. This time I thought I would also try some felt.

Above, everything I need for a repair job. Below, the orange in the sock and the sewing in progress …

Books On Books Collection – Karen Green

Here/Gone (2008) Here/Gone: An ABC Flip Book for Grown Ups (2008) Karen Green Perfect bound, invertible flipbook. 215 x 215 mm. pages. Acquired from…

Books On Books Collection – Karen Green

While I am always on the lookout for art books to interact with, every so often I see/read/hear about a book process or published article with so much promise as well as being very special in itself, I instantly would like to ‘own’ it.

To hold it in my hands. To leaf through it. Turn and turn it about, reading the story from go to woe … which in this story is the reality. To love it, in effect.

Yet this share to my blog will have to do me this time!

What’s a thing you would like to ‘own’ but cannot?

‘Seared in My Memory’ …Part One

Was thinking this morning about the four countries where I’ve lived. I’m not counting England/London because it was more like a long but intermittent stay of about a year.

It struck me that I have a series of images and sensations that come up for each country every time I think of anything to do with that place. And it’s like I must acknowledge those moments before any other thinking can get going.

Next I winnowed through each series to find the single most important moment to me. Came up with four moments that are seared in my memory.

I was born in North Holland, in the Netherlands. When I was about six years old, my father took me ice skating. A local farmer would’ve flooded a field for a hard winter freeze to turn into a skating rink.

The only thing I remember was how I fell over and between my hands on the ice saw a bright yellow dandelion flower set among a three of sap green dandelion leaves in the ice. Lifting my gaze a little, I understood there this ice skating rink was.

That little flower encased and covered by ice is my primary memory of my childhood. When I think of my early years up to age ten, that little flowers is always the first thing that comes to mind.

In Indonesia, where we lived next, for a ‘big’ year as my mother used to call it (about fourteen months) the moment that stands out for me was a moment of the half hour I spent utterly alone sitting on a large rock in a nearby creek (kali).

Rainforest lined both sides of the little river with no paths that I could see. And anyway, the way back was rock-hopping over the stones till I came to the place where the village (kampong) women washed their clothes.

The hot blue sky above pressed me down on the rock and I sat with my feet in the water. I don’t recall wearing shoes. A couple of rocks furter upstream, a log seemed to come alive. A large lizard, probably of the goanna tribe, dipped its fore half down into the water. To drink I thought.

But no, it slid all the way in and went I don’t know where. I’d risen as it slid down. I hovered waiting to see where it would come up.

All I recall next is the rock hopping way back, and that I was wearing a white drill cloth dress with embroidery round the hem. For heaven’s sake, I think now, why a white, embroidered dress to muck about in?

Fast forwarding now to Australia, where we arrived in late 1959. It’s difficult to extract just the one outstanding moment here. I grew up north of Sydney and then spent six years in New Zealand.

Since I returned until now I’ve lived a variety of different kinds of life. So I think I’ll honour them all, all those different lives in a separate post.

New Zealand is the first country where my soul felt at home. I haven’t worked out yet why that is. Many of my fictions are set in an amalgam of New Zealand/Aoteoroa that I called Leaf Island.

Which is a fictional island rising from the edge of the actual submerged continent Zealandia, about halfway between present day New Zealand and Australia.

My adventures in New Zealand in the early 1970s took me to a small dairying community at the base of the Urewera Range. The whole two years I lived there, I wanted to go up into the Ureweras and explore the wilderness. But I would need a guide. Someone who was native to the place.

Hard to meet for a shy new pakeha (White resident of NZ) woman when most of the Ureweras were owned by Maori.

I met a man who might’ve taken me on his last day in Murupara before he immigrated to Parramatta in Australia where he had a job. On my last day in the valley, I drove to the foot of the mountain.

The plain was flat. The Urewera Range rises steeply out of it without foothills. I parked my car in a newish gravelled carpark. Walked to the mountain. Afternoon light burnished the low heather/montane vegetation.

I put my hands on the earth and soil in front of me as if I would climb up. The slope was between 45 and 70 degrees from the horizontal I remember thinking.

I didn’t climb. Stood there with just my hands spread pressing into the thin soil backed with the stone of ages. A shield wall at the edge of the Mt Ruapehu volcano’s caldera. When I think mountain, that’s it, the Ureweras. An ongoing mystery.

When I woke I lifted my hands from the almost vertical ground taking care not to dislodge the little shrubs and miniature grasses. The sun was well down in the west, a glowing ball on the western horizon.

No other mountains have owned me the way the Ureweras own me. They are the most numinous landscape in my mind.

Meditative Art

Life has been challenging over this past week. Sometimes things happen that are difficult, if not impossible, to process. Such has been our …

Meditative Art

This post by Judith on https://artistcoveries.wordpress.com/ was a serendipitous find for me when I was casting about for a distraction from the on-going disaster that is the world out there. I had already weakened and thrown a train of the ongoing grief onto the page (previous post) when I recalled how soothing painting can be and thought that I should get back to it.

There’s nothing I can do about the ongoing train-wreck but keep myself sane and … I just don’t know what we as individuals can do.

Painting these miniatures my whole attention needs to go into every step of the process. They offer me three stages … I sketch, trace the important lines with black waterproof, and I paint. Six miniatures per A4 page, with two more to serve as a front door into the space and backdoor, or gate, out of the space.

Unfinished sketch of a corner of a living room. A few more elements before I can call it done. the flowers need a touch of color, for example. And so do the bricks in the fireplace. 10 x 9.5 cm or 4 x 3.7 inches.

Before I put pen to paper I need to set the scheme out, and it’s easy to make a mistake. As I did with this series. To put the booklet together with the least number of cuts and gluing, the six inner elements need to be positioned facing upward, facing downward, facing upward. That didn’t happen here:

… and I will need to do more cutting and more gluing to get a successful outcome. My fingers are crossed.

Product Presentation

Carry Bag Handles

One of my ongoing interests is how products are packaged. This began when I was about fifteen and my birth family hosted two Japanese engineers who were in Australia to install and test a huge new Japanese generator (or transformer) at the power plant where my father also was an engineer, and who brought us lots of presents.

During the week these men lived in a boarding house, and weekends Saturday or Sunday, they came to our place at Berowra, in the outer northern suburbs of Sydney in the 1960s.

At the time we had a garage which served as living and dining room and my parents bedroom, while kids had two bedrooms in the house built by my father on weekends, one room for three boys and one for three girls.

I don’t recall the power station. It could’ve been Lidell and that would’ve been a family shorthand nickname.

Lol, getting mired in backstory there!

Japanese packaging has always been superb! Classy! Stylish! Rave rave rave!

I saved all the wrappings of all the presents they gave us and kept them for years. And when I was in Japan, in 1976, I saved all packaging from vending machines and the like. I think at the end of my four months travel through Asia, Siberia, Russia and Scandinavia, a good bit of my luggage was souvenired packaging.

All to no avail, of course. My first night in London, the house where I was staying was robbed. All my precious collection was trampled through the mess left by two perpetrators breaking through the plasterboard ceiling, and getting away with all cameras, the family’s silver and jewellry. They even nicked my feather-down sleeping bag.

But. Getting back to the subject. Packaging. Enduring interest.

These cardboard ‘zippers’ fastened the lid of the box to the underside and nothing was torn taking them off. Bet they can be used again.

The laptop was covered with this simple envelope. The paper of similar weight to greaseproof paper. And similar to greaseproof paper, is coating-free, safe for recycling in the composting bin. (So called ‘baking paper’ is NOT safe!)

Several other bits of cardboard and paper wrapped the cord and power plug. All of it calm, plain, and functional.

People will say we pay for all that. True. And I’d rather pay for good design than bad. I’d rather pay for paper than more plastic bags. The bag handles in the first image are probably the only non degradable parts, but will be re-used as long as the bag lasts. And possibly after that if I can find a reuse for them.

Flickering Touchbar …

I’m on my mobile phone … cell phone to some of you! So I can’t insert the 5 second video clip illustration of the above … either because I can’t find the instructions to achieve it or it’s not available.

Have to make do with a still photo of the problem

So you’ll need to imagine it. The whole touchbar—at the top of the keyboard in certain models of Macbook Pro—is now flickering the whole time the laptop is being used. For all that I know it continues to flicker when the lid is closed.

I’ve been putting up with it since about September 2022, when it began with a couple of centimetres or an inch. After trying to have it fixed, the malady extended to 5 or 6 centimetres, which was when I stuck some blue electrical tape over it. This year that spilled into the rest of the bar, and became unbearable to use.

Hence went out Monday afternoon to purchase a new laptop … thought I caught Covid that day … but it was probably earlier.

Watercolour Painting …

I’ve been doing booklets using free form paintings for a while … producing these for eventual sale at a residents open day.

After two or three, it became difficult to replicate methods while staying original.

So—big think later—decided to paint structured pre sketched scenes where I could practice perspective, and revise different techniques on a small scale.

Also to be made into little books eventually

A front door … a couple of things that can be improved on next time …

A back gate next, where I did a bit of wet on wet …