‘Seared in My Memory’ …Part One

Was thinking this morning about the four countries where I’ve lived. I’m not counting England/London because it was more like a long but intermittent stay of about a year.

It struck me that I have a series of images and sensations that come up for each country every time I think of anything to do with that place. And it’s like I must acknowledge those moments before any other thinking can get going.

Next I winnowed through each series to find the single most important moment to me. Came up with four moments that are seared in my memory.

I was born in North Holland, in the Netherlands. When I was about six years old, my father took me ice skating. A local farmer would’ve flooded a field for a hard winter freeze to turn into a skating rink.

The only thing I remember was how I fell over and between my hands on the ice saw a bright yellow dandelion flower set among a three of sap green dandelion leaves in the ice. Lifting my gaze a little, I understood there this ice skating rink was.

That little flower encased and covered by ice is my primary memory of my childhood. When I think of my early years up to age ten, that little flowers is always the first thing that comes to mind.

In Indonesia, where we lived next, for a ‘big’ year as my mother used to call it (about fourteen months) the moment that stands out for me was a moment of the half hour I spent utterly alone sitting on a large rock in a nearby creek (kali).

Rainforest lined both sides of the little river with no paths that I could see. And anyway, the way back was rock-hopping over the stones till I came to the place where the village (kampong) women washed their clothes.

The hot blue sky above pressed me down on the rock and I sat with my feet in the water. I don’t recall wearing shoes. A couple of rocks furter upstream, a log seemed to come alive. A large lizard, probably of the goanna tribe, dipped its fore half down into the water. To drink I thought.

But no, it slid all the way in and went I don’t know where. I’d risen as it slid down. I hovered waiting to see where it would come up.

All I recall next is the rock hopping way back, and that I was wearing a white drill cloth dress with embroidery round the hem. For heaven’s sake, I think now, why a white, embroidered dress to muck about in?

Fast forwarding now to Australia, where we arrived in late 1959. It’s difficult to extract just the one outstanding moment here. I grew up north of Sydney and then spent six years in New Zealand.

Since I returned until now I’ve lived a variety of different kinds of life. So I think I’ll honour them all, all those different lives in a separate post.

New Zealand is the first country where my soul felt at home. I haven’t worked out yet why that is. Many of my fictions are set in an amalgam of New Zealand/Aoteoroa that I called Leaf Island.

Which is a fictional island rising from the edge of the actual submerged continent Zealandia, about halfway between present day New Zealand and Australia.

My adventures in New Zealand in the early 1970s took me to a small dairying community at the base of the Urewera Range. The whole two years I lived there, I wanted to go up into the Ureweras and explore the wilderness. But I would need a guide. Someone who was native to the place.

Hard to meet for a shy new pakeha (White resident of NZ) woman when most of the Ureweras were owned by Maori.

I met a man who might’ve taken me on his last day in Murupara before he immigrated to Parramatta in Australia where he had a job. On my last day in the valley, I drove to the foot of the mountain.

The plain was flat. The Urewera Range rises steeply out of it without foothills. I parked my car in a newish gravelled carpark. Walked to the mountain. Afternoon light burnished the low heather/montane vegetation.

I put my hands on the earth and soil in front of me as if I would climb up. The slope was between 45 and 70 degrees from the horizontal I remember thinking.

I didn’t climb. Stood there with just my hands spread pressing into the thin soil backed with the stone of ages. A shield wall at the edge of the Mt Ruapehu volcano’s caldera. When I think mountain, that’s it, the Ureweras. An ongoing mystery.

When I woke I lifted my hands from the almost vertical ground taking care not to dislodge the little shrubs and miniature grasses. The sun was well down in the west, a glowing ball on the western horizon.

No other mountains have owned me the way the Ureweras own me. They are the most numinous landscape in my mind.

Sunday Silences …

Screenshot of Apple TV screensaver I suppose you’d call that function.

It’s Sunday morning here and quieter than I appreciate. It struck me earlier that while I’ve been alone much of the time for the last twenty years, I absolutely depend on people sounds in the background to feel I still belong in human society.

My apartment/unit is so well insulated that I don’t get any noise from my neighbours. A blessing in disguise. Heating the place, for example, is no trouble at all.

With the balcony doors open, I get noise from the bus interchange across the road… buses arriving and leaving.

With the wind from the south, there is plenty of action in the trees. Leaves rustling. The podium sports many leafy plants.

With the balcony doors open, I can hear crows at their business harvesting food from the rubbish at the shopping centre, and seeing off rivals.

But no people. No voices.

Down at groundlevel, at the front of the building, there will be a few people waiting for their Sunday pick ups and a dog walker or two starting or coming back from their jaunts.

I’ve been toying all week with the idea of joining the dog walkers. Or cat owners, if there are any. Or even a bird … budgie, cockatiel or cockatoo. Imagining scenarios of how that would be …

‘A Scanner Darkly’

By Phillip Dick, an SF Masterwork published in 1999, original from 1977

https://en.wikipedia.org/wiki/A_Scanner_Darkly

Wrote this post three years ago:

“She risked her masked-up health and went into her new favorite library, St Vinnies—an Op Shop, charity or opportunity store—and “borrowed” eight old-fashioned print books. This because the local library was shut for Christmas-and-New-Year and the local virtual library not listening to her passwords, library id or pins.

“On arriving home, she began reading Phillip K Dick’s A Scanner Darkly. Not wanting to stop for lunch she got a bottle of water, and a jar of Pano dark choc bits. Ate the latter and drank the former while continuing to read. Round about 4.30 PM, she remembered the not-getting-sick parameter, and drank more water before making and eating a peanut butter sandwich with blueberries.

“Though the read was not all that gripping, she’d decided to read it, so read it she would. If that makes sense. The title, which an FB friend was attracted to after the crone posted a pic of a bag full of reading matter, sounds like a take on ‘through a glass darkly’ … let me just check that …

“OMG! yourbibleversedaily dot com tells her: “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. – 1 Corinthians 13:12. Paul’s famously poetic statement about the difficulty of knowing God in this life says a lot more than at first meets the eye.”

“Well, it tells her it’s definitely worth it to check references, sometimes only vaguely known. What she has read so far of Through a Scanner Darkly … Yep, yep, definitely shaping up … to Augustine’s interpretation: “For Augustine, we see the image of ourselves clearly, but, as a reflection of God, the image is an imperfect way of gazing upon God.”

“All she can think is, that poor sap. (Thinking about A Scanner Darkly’s MC now.) He thinks he’s on top of what he’s trying to do but of course he will come a cropper. I wouldn’t be surprised, she thinks, if there’s a proper death at the end, not just the split-brain drug-addled undeath.
So. She’ll keep reading. [Posted 22 Dec 2021]

This is me, here and now, two and a half years on. Apparently I did blog this at the time but I can’t somehow deliver the image. As you’ll have noticed this isn’t a book review but another post about blogging. What a supposed ‘seamless transfer’ looks like on the ground. When advertising gurus talk about seamless transfers they don’t take into account the oceanic number of input/output skills out there/here or the infinite gradations of computer use competence.

I know that though I’ve been using computers for 28+/- years, my skill set is highly idiosyncratic, as is that of everyone else who was self-taught. And I believe the majority of us are, aren’t we?

I had three options of delivering that pic and none worked so far. My Media Library has about 800 images in it, but not apparently the cover of the novel I was writing about. I did a Search and got a virtual copy. The result of that maneuver is at the top. No image that I can see. And if it does appear in the post between the time I hit the Publish button and you read it, it’ll be the old pic. Not the Blue green and yellow version gracing the Masterwork.

Or I could take a photo of the print version I have, email it to myself and download it. That hasn’t worked either. So far. Google for some reason has retrieved an email address I left in the dust six years ago.

My Google ID is my next job.

Stuck!

Me screaming frustration …

I am stuck between a rock and a hard place Americans might say. Old Americans, probably. I don’t know if that aphorism is still being used.

I am stuck between my old Mac, with an old copy of Microsoft Word that I’m perfectly happy with, and new Mac with a so-far unlicensed Microsoft Word 365 that has frozen several of my Files. I haven’t been asked did I want the new version and I definitely haven’t agreed to hosting it on my computer.

Of course I know it’s probably some handshake agreement between Apple and Microsoft, they thinking that because a person purchases an Apple laptop they will naturally want also to purchase a gazillion MB word processor suite with no questions asked.

It’s here and it’s freezing my work as if it owns my output. That fact already is making me dig my heels in. My files, on my computer–not even online– frozen on the say-so of a company too big for its boots? Ee-ee-eh! That’s me screaming, frustrated already.

I can’t post either Brick Stories or Lodestar as my files are stuck in Word-ruled limbo for some so-far unidentified reason, and it’s ironic because the only thing I use Word for is to turn screeds into PDFs, as I generally use Scrivener for first and second drafts. So I really really resent having to purchase a huge program, either on a monthly basis at $11 US ad infinitum, or outright for over $200 US … just to free my work!

I can’t even copy and paste into a another program. And this is immediately after I proved I’m human. This is the material I personally wrote, for pity’s sake!

Just had a call from BH who suggested I check out Acrobat Reader. Good idea. I will. But first Scrivener. Surely it has the capability to PDF? Sounds like a dance. It’s all I need a couple of steps here, then there.

Found it. Scrivener dances the PDF.

Goodbye, Microsoft.

Blogging: ‘On the Edge’

This is the post where I learn to embed a video clip …

I started with a sentence intro’ing my post. ‘Stumbled across this video clip entirely serendipitously just after realizing I’m no longer living on a knife edge between two dramas.’

Intended to embed without a drama. The instructions are clear, can I follow directions finally?

I followed the directions and pasted a link to the content I wanted to embed. I clicked on the button EMBED. It tells me to paste an URL. Huh? Where? Like, the box where is filled with the link?

I click on ‘Learn more about embeds’ and I’m told everything I already know and that I have already done.

No. Wait … scrolling further down I learn that I need to paste in the URL which acts as a link. Never mind FB telling me to do it the other way round. I’ll give the WP way another go.

So I paste the URL.

I get a tell … ‘Sorry this content could not be embedded.’ And two blue boxes with ‘Try again.’ and ‘Convert to link.’

But. In actual fact. Checking the post I see that I have a LINK where I had expected an EMBED.

LOL, topping Everest!

Not the one I wanted of a couple of climbers negotiating an edge.

Back to the drawing board

Meditative Art

Life has been challenging over this past week. Sometimes things happen that are difficult, if not impossible, to process. Such has been our …

Meditative Art

This post by Judith on https://artistcoveries.wordpress.com/ was a serendipitous find for me when I was casting about for a distraction from the on-going disaster that is the world out there. I had already weakened and thrown a train of the ongoing grief onto the page (previous post) when I recalled how soothing painting can be and thought that I should get back to it.

There’s nothing I can do about the ongoing train-wreck but keep myself sane and … I just don’t know what we as individuals can do.

Painting these miniatures my whole attention needs to go into every step of the process. They offer me three stages … I sketch, trace the important lines with black waterproof, and I paint. Six miniatures per A4 page, with two more to serve as a front door into the space and backdoor, or gate, out of the space.

Unfinished sketch of a corner of a living room. A few more elements before I can call it done. the flowers need a touch of color, for example. And so do the bricks in the fireplace. 10 x 9.5 cm or 4 x 3.7 inches.

Before I put pen to paper I need to set the scheme out, and it’s easy to make a mistake. As I did with this series. To put the booklet together with the least number of cuts and gluing, the six inner elements need to be positioned facing upward, facing downward, facing upward. That didn’t happen here:

… and I will need to do more cutting and more gluing to get a successful outcome. My fingers are crossed.

It’s Hard Work …

It’s hard work to stay well to say hi you good couple more days and I’ll be well again hard work to talk hard to live as if hoping is still worthwhile work. For my childrens children. And for all children

It’s hard work to hope with the deluge reaching and over-reaching and we’re all still standing in the ankle-deep sludge downstream, arguing.

So much oil under the bridge, so much coal floating downstream, so many poisons soaking into our soils no it’s all good we can make it tech will save us

So much worry, words words words, worry beads and plastic bangles plastic nodules. Nerdles accreting barnacles as they float wither weather wind-driven across an ocean of plastic film and ghosts of sea life

So many islands shores coasts mangroves maldives rocks and reefs atolls and bird sanctuaries buried

So much delay anxiety about the future deaths of children bombings wars steel splinters and torn molten metals looping and lunging

So many floaters that the dead shoal under the bridge where finally the ocean receives us and our molecules and receives our ashes and our atoms

The ocean? No more than an elemental soup

But our souls? Where will theywe rest?

Is there a purgatory wide deep aeonic enough to gather us all in to stew gestate lumpify petrify turn us into crystals of negated promise?

You see why it’s difficult to decide to be well?

Why it’s difficult to want to turn up? To say hi with a smiling face, make bright talk, a cheery welcome?