Lodestar 56, Scrim

[I didn’t want to post the whole chapter if I was going to be knocked back again.]

Scrim Learning his Ropes … Part 1
In the dawn the winkle-pickers dragged a couple of fighting screaming numbers from their hiding places. At Scrim’s hide they laughed. “You safe now, little love. See you in bits when the nubies get you.”

After the truck left, Scrim heard pigeons on the roof above him. He remembered the crust in his pocket and was chewing it without making a sound when a shining reflection flashed along the wall opposite and a high wild whistle, close enough to touch almost, dried the bread in his gullet.

Something big out there! Out the front. What did Mapmaker say? Scrim slid up to standing, pressed himself into the room’s angle, and fought crumbs from his lungs without coughing, gasping, or choking.

He breathed big to recover. Also without a sound. Then stopped breathing coz … Tick. Pause. Tick. Pause. Tick. Pause.

Claws? Clicking along the ground outside? The time between clicks made the thing sound like a giant tall enough to peer into Mapmaker’s three-high window. Ah-nui-bots, was the word Mapmaker said. 

Scrim wanted to gulp air. Min said when you’re frighted, breathe deep in and out by your nose. Calm y’self, Scrim, he thought in her snippy tone.

Thump! In the front room! His heart skittered.

The cat walked into his hide. Thin and grey, it nuzzled up to him.

In the front room—outside it—a small, nearly friendly whistle said, “Where you go?”

The cat butted against Scrim’s legs like it said, get off my bed.

Scrim lifted one foot. All the place he could spare.

The cat sat down in that corner and started washing itself.

The whistlers clicked away. So big! Where’d these things keep themselves? When he studied the city through Min’s telescope, he never saw anything but the numbers, and the transies in the square at the end of the maze, and the wall of houses-and-lanes lectrified with steel-ropes ringing the tall ruins of the city. He badly wanted to see them, these anubots, but he wasn’t in his own place. In the rubble he would of known every escape in the scene.

Next time, he promised himself. This place was more of a mystery than he expected. He sank down beside the cat and dared to put his hand on its soft back. It purring but after a time got rid of his hand with a blunt bite. Not nasty but saying, I got things to do. It started washing its back leg so Scrim busied himself with the sand.

At the hour of sundown the hooter called. The same as the kinnies always heard. The cat pricked up its ears. Scrim too, when he saw its attention. Soon after, he heard metal on metal squeaking and coming nearer and nearer. It stopped at the door. Door squealed opened. The metal thing came inside. The door closed.

The cat opened its eyes wide at Scrim. He didn’t dare move against that fierce light.
The man tocked himself up his stairs, came puffing and grey-faced into the room.

The cat released Scrim from its spell. Mapmaker had got no feet, just stubs of under-legs. He wore covers on his stumps and had a stick to help him along. He was shorter than Scrim.

“When I real little, before kinnie, I used to slide up the mud-slide with pulling on a rope.”

The man looked deep into Scrim. “That soft thinking is like you friend-gift me. Outside life is as hard as a true-stone. Soft is a gutted rabbit. For out there I say you pack that soft deep into you heart.”

Scrim thrilled to hear the man talking like a kinnie.

“Now tell me this maze you made. Show me what you know. I will talk in my normal voice because the transomatics hear me talking all night to my cat. But you must whisper so they won’t know when you leave.”

“Them tran-som-matics?”

“What you call transies. People what come to keep ahead of death by body transplant. What this city is known for, that and every other kind of transplant. Trouble is, when the transomatics first wake up, they are like new children and have to relearn everything— walking, talking, working. Once they are halfway back to normal, their keepers give them the night-streets for their learnings.”

“The ones catching new numbers is transomatics?”

“Yes. Though lots stay young and silly and are kept for making our lives a misery, it seems to me. The truth probably that such a disaster can’t easily be explained to the outside world, like the transy’s family and such. Probably the City keeps the young-and-silly to prevent it getting a bad name. One reason, I expect, they closed the gates to the world.”

“And for keeping the numbers in?”

“I know what you thinking, Scrim. Why still no way out? Scanning the wall with the telescope did you see the ones hanging burned on the wires?”

“All my kinnie-life the same rags. No new ones. Min says they are from the beginning.”

“When people that become numbers are took and all the people in their village are also took, they might think, where is home? They tell me that. And before they can get home, for a long way there is only rubble, desert, camel riders and crocodiles. They think, why not stay, instead making themselves so they are not what the customers want.”

“How?”

“One woman who comes to my stall, I paint her with soot and colors. At her hide she needles it in. She has a tree, leaves, fruit growing all over her.”

“It works?”

“The customers don’t like how she peers from among the leaves. Other times I paint a map of sun-sores. Nobody wants them either.”

“I bet.”

“And there’s hiding. Lots hide. Like you’ve got to. High-up is best when you know nothing yet. Out of reach of every kind of bad. Not near to the maze. I’m safe here because the nubies come to watch the flyers and the cat, and every transy is afraid of meeting a nubie one dusk. As you must be.”

While he looked for a hide, Scrim saw no nubies. He only had the time between the end of the day and the hooter letting the transies out, so he picked the first not-too-high place off the street. He slept. This time his bed was the bare floor.

Testing Testing, Again!

Day before yesterday I lost contact with my blog for no reason that I can discover. This is a test to see whether the situation has righted itself without me doing anything other than signing in in the normal way.

Well, I successfully saved a draft. That’s already an improvement.

I was asked did I want AI to generate an image.

My prompt as follows … A camp of camel herders with tents and camels standing around, the surrounding countryside has corn growing, and a massive plateau rises in the background.

The result below … obviously the AI and I have a long way to go before we understand each other. My need is to learn more about prompt engineering.

The AI’s need is a more extensive library of images, the ability to ‘do’ metaphor, and an algorithm for interpreting unusual combinations.

Reading: ‘Doomsday Book’

Published in 1992

This is one of those novels that improves on a second reading. Probably I tried to race through it too fast first time I read it. And with a many stranded novel such as this, that will not work.

Although it’s a story of time travelling, and does the nitty gritty of the character in the 1300s very well, it’s also an extremely detailed story of the latter half of the twentieth century masquerading as the 2050s.

While I never confused the two eras, the detail of life in the so-called 2050s and the number of interesting lives that were being described, made it hard to sustain interest in the historian stuck in the 1320s. Especially since it became clear early in the piece that her rescue would have to originate in the future where she came from.

I found it increasingly difficult to have patience enough to go back into the 1320s and I suspect that the story set in the 1320s was always smaller. The mystery of Kithrin’s illness too had to be solved in the future.

The set-up took a long time, many pages of often not-understandable detail before we meet Kithrin in 1320. Which is normal in SF, of course. There is always a lot of material needed to be held ‘in abeyance’, as it used to be called, where a reader needs to remember a bunch of new facts before they are explained.

In this story, there were frequent reminders rather than an explanation as early as possible.

There was so much of such detail that it gave the impression of foam on the real beer underneath, or seafoam on a beach where you have to wade through to find the strand’s features.

Kithrin’s problems with the language in the medieval time where she was transposed went on for longer than I had patience for, yet this is not a novel where you can skip bits. The old words begged to be translated but the effort took me out of the story too often.

I began to look forward to Colin’s story for its comic relief, with hardly with any relevance to the main two stories.

The style tells me the time the events are taking place are maybe the 1950s to 1980s. It was published in 1992. And so the story’s present day reads like history in this present day, not the 2050s not too far into our future.

This novel will reward a patient reader prepared to chew through it steadily. Almost every actor in it, even walk on parts, get characterisation, their fifteen minutes on the stage. There were parts I enjoyed and parts that irritated me.

Plover aka ‘Masked Lapwing’

By Charles J. Sharp – Own work, from Sharp Photography, sharpphotography.co.uk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=145114385

These last few day, whenever I walk into the bedroom for something, I stop and stare out through the windows at a little place on the grass beyond the podium at the plovers nesting there. Pronounced as ‘pluvvers’ according to a long-time Brisbanite.

My camera really does not do it justice so here’s where your imagination must come into play. [If you want to have a go at zooming in? The bird is sitting a little below the third panel of fencing from the right. All you will see is a little brown blob.]

In the last few days, I’ve only seen a couple of intrepid people take the concrete path from the podium across the grass to the old village. One of the dog-walkers had an angry, swooping bird follow them from one end of the path to the other. And, these birds are said to have a poisonous spur on their “wrists” … they have the spurs but they’re not poisonous.

“Breeding usually happens after the winter solstice (June 21), but sometimes before.” Quote from the Wikipedia article. Spot on. The birds began sitting seriously about four days ago. It’ll be interesting to see how long they take to hatch the eggs, as there is no info on that in my bird book or in the Wikipedia article. Today I was lucky enough to see the change over of parents a few minutes after dusk.

The chicks will be dependent on the parents for protection for about 5 months. I can’t see there being enough food (insects and worms) in that grassy area for that long, but if it does happen to suffice, I hope we residents can stay patient enough to see the chicks to maturity.

Talk about counting your chickens before they hatch! The Wildlife of Greater Brisbane tells me suburban birds rarely manage to hatch their eggs. Dogs, cats, foxes, humans … all of them disrupting and chasing and some of them predating. That’s being glum, of course. I did read that the Brisbane Snake Catchers as well as catching and relocating snakes, relocate plover nests. That has got to be a huge operation. Two large angry birds defending four eggs on a flattened bit of grass?

https://snakecatcherbrisbane.net.au/plover-management/

Just checked them and nope, they don’t. But they do give contact details to licensed plover catchers and a link to a neat “404 page IE a page not found”. [This latter will go into my collection of 404’s.]

‘A Scanner Darkly’

By Phillip Dick, an SF Masterwork published in 1999, original from 1977

https://en.wikipedia.org/wiki/A_Scanner_Darkly

Wrote this post three years ago:

“She risked her masked-up health and went into her new favorite library, St Vinnies—an Op Shop, charity or opportunity store—and “borrowed” eight old-fashioned print books. This because the local library was shut for Christmas-and-New-Year and the local virtual library not listening to her passwords, library id or pins.

“On arriving home, she began reading Phillip K Dick’s A Scanner Darkly. Not wanting to stop for lunch she got a bottle of water, and a jar of Pano dark choc bits. Ate the latter and drank the former while continuing to read. Round about 4.30 PM, she remembered the not-getting-sick parameter, and drank more water before making and eating a peanut butter sandwich with blueberries.

“Though the read was not all that gripping, she’d decided to read it, so read it she would. If that makes sense. The title, which an FB friend was attracted to after the crone posted a pic of a bag full of reading matter, sounds like a take on ‘through a glass darkly’ … let me just check that …

“OMG! yourbibleversedaily dot com tells her: “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. – 1 Corinthians 13:12. Paul’s famously poetic statement about the difficulty of knowing God in this life says a lot more than at first meets the eye.”

“Well, it tells her it’s definitely worth it to check references, sometimes only vaguely known. What she has read so far of Through a Scanner Darkly … Yep, yep, definitely shaping up … to Augustine’s interpretation: “For Augustine, we see the image of ourselves clearly, but, as a reflection of God, the image is an imperfect way of gazing upon God.”

“All she can think is, that poor sap. (Thinking about A Scanner Darkly’s MC now.) He thinks he’s on top of what he’s trying to do but of course he will come a cropper. I wouldn’t be surprised, she thinks, if there’s a proper death at the end, not just the split-brain drug-addled undeath.
So. She’ll keep reading. [Posted 22 Dec 2021]

This is me, here and now, two and a half years on. Apparently I did blog this at the time but I can’t somehow deliver the image. As you’ll have noticed this isn’t a book review but another post about blogging. What a supposed ‘seamless transfer’ looks like on the ground. When advertising gurus talk about seamless transfers they don’t take into account the oceanic number of input/output skills out there/here or the infinite gradations of computer use competence.

I know that though I’ve been using computers for 28+/- years, my skill set is highly idiosyncratic, as is that of everyone else who was self-taught. And I believe the majority of us are, aren’t we?

I had three options of delivering that pic and none worked so far. My Media Library has about 800 images in it, but not apparently the cover of the novel I was writing about. I did a Search and got a virtual copy. The result of that maneuver is at the top. No image that I can see. And if it does appear in the post between the time I hit the Publish button and you read it, it’ll be the old pic. Not the Blue green and yellow version gracing the Masterwork.

Or I could take a photo of the print version I have, email it to myself and download it. That hasn’t worked either. So far. Google for some reason has retrieved an email address I left in the dust six years ago.

My Google ID is my next job.

Stuck!

Me screaming frustration …

I am stuck between a rock and a hard place Americans might say. Old Americans, probably. I don’t know if that aphorism is still being used.

I am stuck between my old Mac, with an old copy of Microsoft Word that I’m perfectly happy with, and new Mac with a so-far unlicensed Microsoft Word 365 that has frozen several of my Files. I haven’t been asked did I want the new version and I definitely haven’t agreed to hosting it on my computer.

Of course I know it’s probably some handshake agreement between Apple and Microsoft, they thinking that because a person purchases an Apple laptop they will naturally want also to purchase a gazillion MB word processor suite with no questions asked.

It’s here and it’s freezing my work as if it owns my output. That fact already is making me dig my heels in. My files, on my computer–not even online– frozen on the say-so of a company too big for its boots? Ee-ee-eh! That’s me screaming, frustrated already.

I can’t post either Brick Stories or Lodestar as my files are stuck in Word-ruled limbo for some so-far unidentified reason, and it’s ironic because the only thing I use Word for is to turn screeds into PDFs, as I generally use Scrivener for first and second drafts. So I really really resent having to purchase a huge program, either on a monthly basis at $11 US ad infinitum, or outright for over $200 US … just to free my work!

I can’t even copy and paste into a another program. And this is immediately after I proved I’m human. This is the material I personally wrote, for pity’s sake!

Just had a call from BH who suggested I check out Acrobat Reader. Good idea. I will. But first Scrivener. Surely it has the capability to PDF? Sounds like a dance. It’s all I need a couple of steps here, then there.

Found it. Scrivener dances the PDF.

Goodbye, Microsoft.