Gydja, Cold Spring Dark Fold Mix …

I was astounded after five minutes watching and listening to discover this is out here … in the public domain … for free! Or more to the point, whatever you’d like to pay!

Both sound and visuals are impressive. I’ve enjoyed about twenty minutes of it, so far. While I’m listening to the gorgeous soundtrack interspersing the songs, I’m studying (enjoying!) the visuals.

An amazing amount of work has gone into them! It’s possible of course there some AI involved but so what? There’s such detail in each frame as to have required a great deal of work by the humans involved … cutting and pasting, detailed and intricate prompt engineering if any, hours upon hours in the workshop designing the different elements, composing the frames, researching the stories. And that’s just the visuals.

‘Page ends’ are a narrow strip between frames, and bear at least six little vignettes. The page ends do repeat every so often, but not frequently enough that I got bored seeing them again.

The ‘folk’ being extolled here is, I assume, the Old English/European Celtic culture. All the symbology points to it including Joan of Arc, The Green man, Wood Witches and stags. The European landscapes are varied with farm land, hills, forests, valleys and villages. The skies change from rain to stars to clouds and sunny gloamings. The ‘real’ rain drops that spill and spatter down the still frames slowly passing right to left are another creative strategy that help to tie everything together and set a bright tone.

With the pictures resembling high class black and white woodcuts, the ambience could be darker than it is. I think the gorgeous background soundtrack–of bird song, rain, and other natural sounds–does a lot to ameliorate the visual darkness. I can’t get over the bird song … seldom have I heard birdsong complementing vocals so well!

It’s obvious there is at least one very creative human being at the head of this production, though I would expect there to be more like a dozen creatives involved in this work of art. And my hat off to them! I’m a fan from this minute!

Thank you, Ogden Fahey for alerting me to this amazing production!

Knitting, a Tiger

So far so good

Have just added in the left front leg. This knit has got to be one of the most challenging knits I’ve attempted so far … and I began knitting when I was nine.

Juffrouw Krauweel taught me and about twenty other 9 year olds when we were in Grade Three.

Juf stood in front of the class with her big knitting needles calling out the steps for each stitch … insteken, omslaan, doorhalen, af … (I can’t remember the last word in Dutch, maybe later)

I was an independent hussy where knitting was concerned and knitted without patterns most of my life.

This time however I’m following the directions stitch by stitch.

‘Pee Dee Effing’

Lol, that doesn’t look so good for a couple of reasons. But the turning-a-document-into-a-pdf process should have its own verb by now, it’s such a common operation. Of course, there could already be one and I have missed it. Let me know?

When I first started blogging, I’d laboriously do the formatting off-line, then when I copied and pasted into the blog … flit! All the formatting was lost and I’d have to start again. So for me, turning something into a pdf is nearly always about preserving formatting, especially when I started posting up Bosley’s Builders.

The hold-up had two prongs. One, I needed a word processor other than MS Word for the operation. MS Word have lost my custom. Not at all important in their scheme of things, I’m sure. But say a million of us decide not to fork out either the monthly or the yearly cost? They’ll sit up and take notice then. When I saw that they don’t sell copies outright anymore, I was gone.

So, Scrivener is it. I’ve been using Scrivener for a good few years for preliminary drafts. Their latest version has the possibility to save documents into pdf mode. They haven’t put their prices up and they don’t profiteer by forcing people into a perpetual loan situation.

The second prong of the hold-up has been me coming to grips with writing and formatting Bosley’s mob into Scrivener in the first place.

Lodestar’s Anuboids = ‘Centaurs’?

I literally just posted Lodestar 57 and tripped over this … There’s now a word for Anuboids, also known as ‘nubies’ in Lodestar, a novel I began roundabout 15 years ago. They might even be ‘reverse-centaurs’.

I’m gob-smacked, though I shouldn’t be. I’ve been overtaken by both science and the public domain. Now by Cory Doctorow, which is a kind of thrill.

“A centaur is someone whose work is supercharged by automation: you are a human head atop the tireless body of a machine that lets you get more done than you could ever do on your own.” from https://pluralistic.net/2024/08/02/despotism-on-demand/



Rabbit Hole 1

Fell through a rabbit hole and discovered what ‘product managers’ actually do. First had to google what they are … had heard the title bandied about by various acquaintances.

This definition from the Atlassian website: “A product manager is the person who identifies the customer need and the larger business objectives that a product or feature will fulfill, articulates what success looks like for a product, and rallies a team to turn that vision into a reality.”

So is this a fancy name for a sales person? Maybe, maybe not. The rabbit hole took a turn.

‘Selling’ is apparently a slippery concept. Some of the people answering the question in Quora.com say product managers don’t do selling, that there are sales managers for that. Other people say product managers sell all the time, such as selling their ideas to their team (internal) and selling the product externally.

What I’m taking away from it is that product management is a process that marketers go through to identify prospective customers and set them up with the products that that marketer provides.

One example I came across is a company requiring a fleet of EVs. They applied to a product management company to help them get a deal.

Another example is the way I bought my unit in a retirement village. Although it was case of me reaching out to them through their website, in hindsight I recognize the procedures involved in getting me to the signing-up event. Interesting article I just read about it all https://assaph.substack.com/p/user-journeys-the-real-heros-journey

Lodestar 56, Scrim

[I didn’t want to post the whole chapter if I was going to be knocked back again.]

Scrim Learning his Ropes … Part 1
In the dawn the winkle-pickers dragged a couple of fighting screaming numbers from their hiding places. At Scrim’s hide they laughed. “You safe now, little love. See you in bits when the nubies get you.”

After the truck left, Scrim heard pigeons on the roof above him. He remembered the crust in his pocket and was chewing it without making a sound when a shining reflection flashed along the wall opposite and a high wild whistle, close enough to touch almost, dried the bread in his gullet.

Something big out there! Out the front. What did Mapmaker say? Scrim slid up to standing, pressed himself into the room’s angle, and fought crumbs from his lungs without coughing, gasping, or choking.

He breathed big to recover. Also without a sound. Then stopped breathing coz … Tick. Pause. Tick. Pause. Tick. Pause.

Claws? Clicking along the ground outside? The time between clicks made the thing sound like a giant tall enough to peer into Mapmaker’s three-high window. Ah-nui-bots, was the word Mapmaker said. 

Scrim wanted to gulp air. Min said when you’re frighted, breathe deep in and out by your nose. Calm y’self, Scrim, he thought in her snippy tone.

Thump! In the front room! His heart skittered.

The cat walked into his hide. Thin and grey, it nuzzled up to him.

In the front room—outside it—a small, nearly friendly whistle said, “Where you go?”

The cat butted against Scrim’s legs like it said, get off my bed.

Scrim lifted one foot. All the place he could spare.

The cat sat down in that corner and started washing itself.

The whistlers clicked away. So big! Where’d these things keep themselves? When he studied the city through Min’s telescope, he never saw anything but the numbers, and the transies in the square at the end of the maze, and the wall of houses-and-lanes lectrified with steel-ropes ringing the tall ruins of the city. He badly wanted to see them, these anubots, but he wasn’t in his own place. In the rubble he would of known every escape in the scene.

Next time, he promised himself. This place was more of a mystery than he expected. He sank down beside the cat and dared to put his hand on its soft back. It purring but after a time got rid of his hand with a blunt bite. Not nasty but saying, I got things to do. It started washing its back leg so Scrim busied himself with the sand.

At the hour of sundown the hooter called. The same as the kinnies always heard. The cat pricked up its ears. Scrim too, when he saw its attention. Soon after, he heard metal on metal squeaking and coming nearer and nearer. It stopped at the door. Door squealed opened. The metal thing came inside. The door closed.

The cat opened its eyes wide at Scrim. He didn’t dare move against that fierce light.
The man tocked himself up his stairs, came puffing and grey-faced into the room.

The cat released Scrim from its spell. Mapmaker had got no feet, just stubs of under-legs. He wore covers on his stumps and had a stick to help him along. He was shorter than Scrim.

“When I real little, before kinnie, I used to slide up the mud-slide with pulling on a rope.”

The man looked deep into Scrim. “That soft thinking is like you friend-gift me. Outside life is as hard as a true-stone. Soft is a gutted rabbit. For out there I say you pack that soft deep into you heart.”

Scrim thrilled to hear the man talking like a kinnie.

“Now tell me this maze you made. Show me what you know. I will talk in my normal voice because the transomatics hear me talking all night to my cat. But you must whisper so they won’t know when you leave.”

“Them tran-som-matics?”

“What you call transies. People what come to keep ahead of death by body transplant. What this city is known for, that and every other kind of transplant. Trouble is, when the transomatics first wake up, they are like new children and have to relearn everything— walking, talking, working. Once they are halfway back to normal, their keepers give them the night-streets for their learnings.”

“The ones catching new numbers is transomatics?”

“Yes. Though lots stay young and silly and are kept for making our lives a misery, it seems to me. The truth probably that such a disaster can’t easily be explained to the outside world, like the transy’s family and such. Probably the City keeps the young-and-silly to prevent it getting a bad name. One reason, I expect, they closed the gates to the world.”

“And for keeping the numbers in?”

“I know what you thinking, Scrim. Why still no way out? Scanning the wall with the telescope did you see the ones hanging burned on the wires?”

“All my kinnie-life the same rags. No new ones. Min says they are from the beginning.”

“When people that become numbers are took and all the people in their village are also took, they might think, where is home? They tell me that. And before they can get home, for a long way there is only rubble, desert, camel riders and crocodiles. They think, why not stay, instead making themselves so they are not what the customers want.”

“How?”

“One woman who comes to my stall, I paint her with soot and colors. At her hide she needles it in. She has a tree, leaves, fruit growing all over her.”

“It works?”

“The customers don’t like how she peers from among the leaves. Other times I paint a map of sun-sores. Nobody wants them either.”

“I bet.”

“And there’s hiding. Lots hide. Like you’ve got to. High-up is best when you know nothing yet. Out of reach of every kind of bad. Not near to the maze. I’m safe here because the nubies come to watch the flyers and the cat, and every transy is afraid of meeting a nubie one dusk. As you must be.”

While he looked for a hide, Scrim saw no nubies. He only had the time between the end of the day and the hooter letting the transies out, so he picked the first not-too-high place off the street. He slept. This time his bed was the bare floor.