Reading Project, 8

Book 21 … A Knight of the Seven Kingdoms by George R R Martin, with illustrations by Gary Gianni. This edition, being a collection of three novellas, has a complex publishing history but as a collection it was first published by Harper Collins in 2015.

After I saw the HBO TV version, I wanted to read the original, as print novels often are better at showing the complexity of characters. Which was a good move, for as well as the first story, The Hedge Knight, that the TV series is based on it, it gave me two more stories, that presumably will be televised in the goodness of time as installments 2 and 3.

A hedge knight is a knight not sworn to a lord or having land—such as Ser Duncan the Tall—and I guess would be equivalent to a ronin in the samurai tradition. Both are men who wander their countries and offer their swords in whatever battle that will give them food and shelter for a time.

Dunk (short for Duncan) is a young, tall, strong and inexperienced knight wandering the Seven Kingdoms with his squire, Egg. As soon as I read “Egg” I recalled Maester Aemon at the Wall in Westeros ( A Game of Thrones) talking about his younger brother Egg and spent quite a bit of time wondering how that worked. Forgetting that with the right question (ie prompt) Google’s AI would tell me in seconds.

Which it did. Aemon was two years older than Egg and Egg will rule as Aegon V. At the time of these stories Aemon is apprenticed at the Citadel learning to be a maester and he will serve at The Wall.

You have probably guessed by now that I am a Game-of-Thrones tragic. And you are right. I have the book series on my bookshelf. I was a member once of a huge fan club, forty thousand plus fellow tragics, industriously discussing all aspects. Though they worked out the Jon Snow is the son of Rhaegar Targaryen and Liana Stark puzzle and I still don’t know how. I confess I just took their word for it, never could find the proof in the books.

All this is getting side-tracked from the book I’m talking about, but have the excuse that the these stories brought it all back, because it is all connected. Reading it the first time round, it seems like a light read, though the battle at the tournament is quite complex. I had to read that a couple of times, nailing down who fought who and who bit the dust.

But wait, why am I saying it’s a light read? I’m changing that. Only the first story was a particularly light read and I suppose the fact that I already knew the story visually meant I just glossed the imagery in the words.

That’s the problem with visual media of all kinds and reading books after seeing related shows. By feeding viewers with media-ideas for what things look like, viewers who are also readers tend not to read stuff that will clash with pre-“recorded” visuals and as a result miss out on a lot of good metaphor.

Such as … “The spiked ball whirled round and round the sky and fell toward his head as fast as a shooting star. Dunk rolled.”

That didn’t happen in the tv series. Someone else wielded the spiked ball and not at Dunk. Why I can still appreciate it. The other thing to appreciate is a character’s thoughts. … I failed them. I am no champion. I’m not even a hedge knight. I am nothing…

I don’t mind those thoughts, they’re what anyone would think in the situation. But … He never saw dunk the lunk, though, did he?… the twenty-five times that Dunk thought that of himself … that grated on me after the fourth time. (Maybe not twenty-five, just felt like it.)

In the next story, The Sworn Sword, (p119) there’s less introspection as there is more interaction between Dunk and Egg. They are on the road, traveling to their next meal.

This story is book-ended by the two corpses hanging in a cage at the cross-roads where Dunk and Egg stop for a minute for a break and again on their way out. They’re to deliver a barrel of wine to a place called Standfast and happen to stay there, to help the inhabitants get out of a scrape they have with their neighbors about water rights, a complex quarrel. Dunc ends up fighting the opposition’s champion.

The third story is The Mystery Knight (p233). Coming away from Stoney Sept, Dunk and Egg are well supplied. As they near a town, they first see a traitor’s head on a spike on the town walls.

Two and a half pages of Dunk’s ruminations follow, about a law that allows septons to be decapitated for merely talking because … “words are wind” after all … he says. Egg puts his thoughts in where applicable and the whole is one of Martin’s stylistic manoevres to thicken up the story line with historical descriptions including the Targaeryan succession through Bloodraven.

Six days later they arrive at a ferry crossing. Here, again, as they ride toward the inn nearby, there are possibilities of informing the reader about money, as in how little they have, “twenty-two pennies, three stars, two stags, and an old chipped garnet, ser …” Egg informs us and Dunc.

All three stories give the feeling of meandering. The pace is slow while Dunc and Egg are traveling, they are on horseback, with the horses probably walking. Fights are fast blow by blow accounts of action.

Between the slow travel and fast battles unfold long sections of story needing close attention. There’s a lot of detail being slipped into every paragraph. Story-pearls are being seeded in at all times. Early in the story we learn about Bloodraven’s history. At the end we meet him, and learn that he is Egg’s cousin.

I found this book in the YA fiction section in the bookshop where I bought it. The book is probably classed as young adult fiction due to the single story line, the youth of the POV characters, and because it is illustrated.

The amount of detail in it, though, suggests an adult read. Words, phrases, clauses and sentences all contain seeds and reminders that these stories are part of the whole rest of the Westeros culture. It’s one of those books I read fast for the plot and again, slowly, for the complexity.

.Illustration by Gary Gianni.

Reading, 7

This session started while I was in hospital. Trying for easy reading matter. Easy to put down when necessary, for example to have a blood test done, or connect me to the IV.

My reading buddy brought me a book that he had trouble with and that I put aside after only one chapter, no way was I going to be able to read that in a scene where I needed to interact with maybe fifty people a day.

By day three I was hungering for anything at all to read. I’d forgotten to bring my tablet, and I’d been down to the kiosk in the downstairs lobby twice, and that had only magazines and newspapers available. Over two days, I bought two dailies of a right-wing newspaper, read them from cover to cover and felt like a foreigner.

Then, during one of my afternoon perambulations on the ward, I saw and remembered the existence of a lounge or two in each ward in that hospital, where visitors could withdraw to wait out procedures on their loved ones, and that there often were a couple of books.

Day three I sallied out and found a book that I normally wouldn’t read in a pink fit but needs must, as the saying is. A Readers’ Digest Condensed Book, in the new century renamed Readers Digest Select Editions. Still ongoing, I was amazed.

These are collections of “Popular, bestselling novels condensed to remove subplots or descriptions without altering the author’s style or story,” according to Reddit users and eBay sellers, quoted by Google’s AI. Hence me not reading them in a pink fit. However, by the 2020s I’m suspecting, the novellas could be being written purposely for the series. The four stories I read certainly seemed so.

According to Wikipedia https://en.wikipedia.org/wiki/Reader%27s_Digest_Select_Editions
I probably read

Book 18 … Volume 395 – #6 – September 2023 with • The Hunter – Jennifer Herrer • Hello Stranger – Katherine Center • Play the Fool – Lina Chern and • The Last Lifeboat – Hazel Gaynor

And because I was reading to pass the time, I have no clear memory of what all four stories were about except that one of them was about a bunch of newly-outed characters making the Titanic trip. By ‘newly outed’ I mean these people have not before featured in any of the Titanic fiction. And that they are probably completely fictional fictions. “IE did not appear in the passenger lists.” (Authorial note)

The other one I have some memory of is Hello Stranger, a thriller about a woman who has lost her memory. As this was the last story I read, I recall it best and it was good enough, in my opinion, not to give out any spoilers.

The remaining two stories? Can’t recall a word.

— — — —

After four nights, the days between, the two half-days fore and aft, and bells bells bells every minute of the night, I returned home. Blessed relief, with no bells clamoring all night I slept like a young thing.

Returned home with a prescription for another five days of antibiotics that had now to be taken by mouth, of course. And don’t bother with the probiotics yet was the word. The first couple of days I was quite well, getting stuck into the clean-up, and even managing to attend the weekly art class on Thursday morning.

By the Friday nausea began to rule. All the jobs I had begun slid into the background. There’s a pile of washed Duplo in front of me, another pile drying on the balcony. The grandkids have outgrown it, but some will still be useful to me for mountain-building. All of it needing sorting and I haven’t washed the plastic tubs yet.

Then there’s the laundry, one load ready to be folded, one load still in the washing machine, and another pile growing in a corner of the bathroom. Then there are the three days worth of dishes to be washed. Then … then …

I looked at my bookshelves, found something I hadn’t read yet, and promised myself time would pass. Five doses to go.

Book 19 … My Sister Rosa by Justine Larbalestier, published in 2016 by Allen and Unwin.

I picked this book up in the library in the village community center some time ago. The back cover promised me edge-of-my-seat reading and it was not wrong. I read it in one gulp, which took me till 1.30 A/M, and some time ago I’d sworn off that kind of read. Sleeping only about five hours does not agree with me these days. It’s like I’m hungover the whole next day.

Spending a bit of time at https://goodreadingmagazine.com.au/ about this one, reading reviews, I discovered that people either loved or hated the book. Also, that it’s classed as young adult fiction, which I just don’t see. Just because the POV character is a teenager does not necessarily make it a YA fiction.

Some readers thought the novel well researched, others thought it badly researched. I’m neutral about that. Just so long as the research doesn’t intrude into the reading experience I don’t mind what lengths writers go to get a readerly reality. I’ve paddled that sea myself, researching the ins and outs of surfing for my novel, Mongrel, for example. Body-surfing was the only kind of surfing I ever did and then only casually.

Some readers loved the supporting character, the ten-year-old psychopath, thinking her very realistic. Others thought her tricks were mere childishness. On that point I really don’t believe the average ten-year-old will try to talk a so-called friend into killing her twin for entertainment. People who thought that, I stopped respecting the minute I read their opinion.

Che, the older brother who told the story, was trying to be a normal teenager and not succeeding. Neither of the parents were ‘at home’, so to say, and his little sister became his responsibility. Of course in the past, it was normal for an eldest sibling to have the care of the younger brood. In my past it certainly was, and I often had three young kids trailing me. Nowadays, with families of only one or two kids it is much less common.

Book 20 … The Alchemist by Paulo Coelho. Translated by Alan R Clarke. Originally published in 1988. The first English language edition in 1993. This copy is a 25th anniversay edition published in 2014, by Harper One an imprint of HarperCollins.

Its publishing history is complex. In 1993 my son was eight years old and I was a keen library reader and thrift store customer. That would be one of the reasons this book completely passed me by. That library was struggling a bit, new books few and far between, and thrift stores feature the old and remaindered. Nor was I in any reading clubs where people raved about it. Small country town. Not even a bookshop in those days.

Nor would I have been psychologically mature enough in that time to read it. I hadn’t yet started my writing studies, and the only hero’s journey I knew about, was me eking out a living. Thirty three years later–now–I read The Alchemist with joy. I recognized so much. The hero’s journey, yes. There’s been so much said about the hero’s journey in film, literature, how-to books and descriptive critiques, most people will be familiar with its concepts.

But also some of the Jungian concepts I’ve been studying for the past couple of years. The Personal Legend, for example. Do you know yours? I’m not yet so familiar with mine that I can talk about it in detail, though I’ve received a few clues from dreams. If you don’t yet journal your dreams, start now. I recommend it.

Then there’s The Soul of the World. I know that as the collective unconscious, but described much more poetically. There’s more. The plot of the recurrent dream of treasure in a far off place that returns you to your original place? A plot that I’ve read in a couple of recently published novels. It was an aha moment and me thinking, So this is where they got that!

Even the title. The Alchemist. The alchemist is a wise man. The last thing he said to the boy? “No matter what he does, every person on earth plays a central role in the history of the world. And normally he doesn’t know it.”

This seemingly simple little book gave me a lot to think about.

Reading, 5

Books in the order that I read them …

William Gibson is now a favorite SF author and I’ve enjoyed everything I’ve read by him recently. But reading his first novel, Neuromancer, soon after it was first published in 1984, I recall thinking then that his subject matter was hard to grasp. Whether due to the way he talked about it, or just the mere unfamiliarity … I think a combination.

At the time of that reading, I lived ‘on the road’, traveling Australia. Down-times we spent reading but in general, life was simplified to the extent it was often hard to remember what was going on in the rest of the world. Living out of a modified Toyota Landcruiser, I found it hard to figure out Gibson’s meanings. Often I didn’t know what he was talking about.

Back when Gibson wrote Neuromancer, much of the tech was new and its words hadn’t yet entered commonality. The computer and internet age had only barely got going and Gibson was describing how that world was developing. Reading the Neuromancer trilogy now, in 2026, I am right there with the characters.

Book 11. Mona Lisa Overdrive by Willian Gibson, first published in 1988 by Gollancz.

Mona is a girl “with a murky past and uncertain future” sold to a plastic surgeon to be surgically altered to closely resemble a famous star.

I picked this up secondhand, because it was a William Gibson and I hadn’t read it yet, not realizing it is the third of his early books set in the Sprawl-universe. While enjoying Gibson’s descriptions as usual, and easily recognizing his trope of high-tech set in the slums of the future, I got hopelessly lost in the first half of the novel, reading about four very different POVs, characters that seemed to have nothing to do with each other. I was continually anticipating where and how they’d meet or intersect.

Discussing the matter with my SF reading buddy, I learned I was reading part three of Gibson’s first trilogy. That some of the characters had appeared in Neuromancer, and that all three novels—Neuromancer, Count Zero and Mona Lisa Overdrive—as well as some of the stories in the Burning Chrome collection are set partly in the Sprawl, and partly in a future Japan.

The Sprawl, the fictional equivalent of the “Boston-Atlanta Metropolitan Axis, an urban environment extending along most of the East Coast of the United States” from https://en.wikipedia.org/wiki/Sprawl_trilogy; the Japanese scenes seem to take place primarily in Chiba …

Let me tell you, in 1984 I did not yet know what a coffin hotel was, and since the internet had only barely got started in those years, there were no quick looking-up opportunities. Wikipedia, for example, started in March 2001.

Gibson often mentions the matrix and in fact he invented that concept, as well as cyber space and virtual reality. The movie that introduced the public domain to the matrix hails from 1999, fifteen years after Neuromancer hit the bookshops. All three concepts part of our ordinary understanding these days.

From the backcover of Neuromancer: “The Matrix: a world within a world, a graphic representation of the databanks of every computer in the human system; a consensual hallucination experienced daily by billions of legitimate users in the Sprawl alone.”

Nowadays even people not reading SF are aware we live in that reality.

Then, since we happened to have the whole rest of the series on hand, I re-read …

Book 12. Neuromancer by William Gibson, first published in Great Britain in 1984 by Victor Gollancz Ltd.

Also from the back cover, continuing from above … “And by Case, computer cowboy, until his nervous system is grievously maimed by a client he double-crossed. Japanese experts in nerve-splicing and micro-bionics have left him broke and close to dead. But at last Case has found a cure. He’s going back into the system. Not for the bliss of cyber-space but to steal again, this time from the big boys, the almighty mega-corps. In return, should he survive, he will stay cured.”

Book 13. Count Zero by William Gibson, first published in Great Britain in 1986 by Victor Gollancz Ltd.

Part of the back cover reads … “In the matrix of cyberspace — zaibatsus fought it out for world domination and the computer jocks risked their minds scuffling for fat crumbs — the lives of three human beings were inextricably scrambled.”

The future has totally caught up with these stories, the so-called futuristic slang sounds normal.

There are one or two concepts that even read like anachronisms. Tapes and cassettes. Polycarbon variants. Slanting gro-lights that dangled from twin lengths of curly cord.

Book 14. Burning Chrome by William Gibson and various other authors, first published in Great Britain in 1986 by Victor Gollancz Ltd.

There’s an excellent prologue by Bruce Sterling, also a well-known SF author.

The four books above are said to be a trilogy + a collection of short stories, all set in the same universe centered in the so-called Sprawl. Not a trilogy in the way of a sequence of one story too large to tell in one novel but more a threesome of books all set in the same fictional universe, and sharing some characters, at least in the case of Neuromancer and Mona Lisa Overdrive.

Gibson is the king of adjectives, he parses out meaning and description in every phrase, with every verb, every noun. And metaphors? An all-round joy to read. How can you not enjoy reading the following … ?

“Rubin inserts a skinny probe in the roller-bearing belly of a sluggish push-me-pull-you and peers at the circuitry through magnifying glasses with miniature headlights mounted at the temples.” From The Wintermarket, p 149 in Burning Chrome.

Mongrel, 40 & 41

The rabbit-hole, when asked for an image of silver water pouring, coughed out this illustration for an article on colloidal silver. Then of course it had to be screen-shotted, resized and otherwise groomed to take its place in this story. In the process I lost the name of the website-of-origin, my apologies. Let me know if you recognize it as yours and I shall reference you.

40. Rita de Heer, Mongrel Download

41. Rita de Heer, Mongrel Download

Mongrel, 38 & 39

Various species of Leptospermum, or Teatree, an Australian native genus have been made into balms and other medicinal products for thousands of years. Here the flower and fruit of the Pink Teatree (Leptospermum squarrosum)

By JJ Harrison (https://www.jjharrison.com.au/) – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6655154

38. Rita de Heer, Mongrel Download

39. Rita de Heer, Mongrel Download

Reading, 4

Next up is a book I’ve been wanting to read for about 20 years. When it was first published, the title grabbed me … Matthew Flinders’ Cat. I already knew that Flinders had a cat he’d named Trim, and had seen the bronze statue of Trim at the State Library of New South Wales.

I didn’t research the story beforehand as nowadays I usually do, just looked forward to reading a blow-by-blow account of Matthew Flinders’ voyage mapping the coastlines of what was then New Holland, accompanied by his cat.

Usually I wait until a book comes out in paperback before buying it, so when I didn’t see it appear in the local bookshop a year later, forgot about it. Since then I’ve seen it a few times in libraries without there ever being an opportunity to borrow it, and a couple of weeks ago saw it on one of the two bookshops I now frequent.

And so bought it. Because I needed a new, chewy read, and for the expectations I just described, but still not knowing anything about it apart from the fact that Trim might be one of the main characters.

Book 10. Matthew Flinders’ Cat by Bryce Courtenay, this edition published in 2006 by the Penguin group.

How did I miss that it was written by Bryce Courtenay? I’ve read a few of his but generally don’t like his style. To me they’re the kind of book I might read if there is nothing else available.

Such as when stuck in a camping ground by the roads being flooded and Bryce Courtenay book is the only thing to be found in the camp laundry. That’s where I found The Potato Factory and read that. But that’s by the by.

Reading the first paragraph of this book I knew it wasn’t going to come to my expectations but, I reminded myself, that was my own fault. And since I had given out good money for it, I would read it.

‘Billy O’Shannessy woke to the raucous laughter of two kookaburras seated on top of adjacent telegraph poles.’

There is Billy O’Shannessy … Courtenay does this thing that I was taught as a new fiction writer, make the first two words about the the main character. In that same first sentence there is also setting the scene, in this case the Australian scenario with the two kookaburras. And there is the modernity of telegraph poles, if a slightly old-fashioned term for them telling us the story is set in the present. Telegraph poles might’ve been normal for 2002, when the book was first published. I don’t remember. The rest of the paragraph tells of his hangover and that the birds served as his ‘regular alarm clock’.

In the next paragraph I learned he was lying on a park bench with a canopy of leaves over him. It’s only on the third page that Trim gets a mention and then only his life-sized bronze statue on a window ledge of the state library

By en:User:PanBK – http://en.wikipedia.org/wiki/Image:Trim-the-illustrous.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=1182097

The Wikipedia page about Trim is interesting. He’s got several more statues, one in Donington, UK and one in Port Lincoln, South Australia, as well as a glowing epitaph by Matthew Flinders himself.

Alas, this book is not primarily about Trim, or even Matthew Flinders.

Purporting to be a novel, it seems to me to be written as a tribute to the Salvation Army, the Twelve Step Program to recover from drugs and alcohol abuse and rehab, and the many services helping homeless people and troubled children in Kings Cross, Sydney. All very worthwhile people and services, I’m not denying that.

Published two years after Courtenay’s divorce, I did wonder whether he was writing a semi-autobiographical novel, that he was a recovering alcoholic. The fact that it is his twelfth novel might explain why an editor would do less editing, leaving unchanged the info dumps, for example, consisting of half or three-quarter pages describing people and places.

But I’ve often wondered how people go about writing a tribute novel so in that respect this was an interesting read. First, he had a professional researcher … the results of research are big in this novel. There are screeds of explanations. Over pages 333-334 there’s a paragraph of over 200 words. That’s almost a whole page. Commonly called a wall of text. It seems very 19th century-ish.

In places it feels like Courtenay inserted a whole paragraph straight from the source. That can’t be right, of course. Courtenay was a well-respected author. I like to think there would’ve been at least one rewrite to make the material his own.

In addition, most professional people wouldn’t hesitate when approached by a famous author to tell them about their world, any extra mention is going to help promote their concerns, right? That also shows in the detail about organizations such as the Salvation Army. I imagine there’s a fine line between wanting to do one’s sources justice and keeping the story from dragging the weight of excess information.

The bits about Trim were the story Billy O’Shannessy told Ryan, the ten-year-old other main character. Trim is imagined in the talking-animal style with a lot of agency. Which left me wondering whether the adventures described had any truth in them. They read like fantasy.
Probably I’ll try to find something nearer to Matthew Flinders’ own account of his and Trim’s circumnavigation of Australia.

Reading, 3

The third post of this series already though I haven’t settled into a routine yet. Today had the better idea of what to do about the illustration. Instead of letting just one book have all the glory, why not give them all a chance to attract readers? Will give that a go shortly.

The longer without a routine the better, I used to think before I was pole-axed by ME/CFS. Come Easter, I’ll have lived with this malady for 29 years. Somewhere along the line I learned that making decisions is a stressor that saps my strength.

The idea out there—in the public domain—is that the more non-important decisions we encapsulate in routines the more energy we’ll have to make important decisions. It’s not wrong … routines enable me. Interesting article on decision-making … https://en.wikipedia.org/wiki/Decision-making

Then I thought what about at the end of the year? Won’t I want to know how many books I actually read? That is the project after all. I saw myself counting through the posts. Got to be an easier way. Just number them already. So … started that today.

Book 5. The Light Pirate by Lily Brooks-Dalton, 2022. Published by Grand Central Publishing of New York.

This is the only book out of the five that I’ll recommend. I might’ve mentioned before on this blog that the climate change apocalypse, and its associated nightmare horsemen are my Sword of Damocles, and that the thread the sword is hanging by is wearing mighty thin and frayed.

The Light Pirate is set in the near-future and describes how the Florida coast is being engulfed the sea. It’s a blow-by-blow account of the way one family dies and adapts and is taken and finally evolves for a new existence. Ninety percent stark dark reality and ten percent luminous hope.

This is a book I would like to own. Read the good bits every now and then. This story speaks for everywhere there is low ground by the sea.

Book 6. Downward to the Earth by Robert Silverberg, 1969. First serialized in Galaxy Magazine it was published in 2015 by Gollancz in their SF Masterworks.

Although I’ve been reading science fiction since I was about 13, and Robert Silverberg has written hundreds of stories, I haven’t read all that many. Scanning through the titles in the front, I see only one that I own. Most don’t ring a bell. This little classic is said to … “blend mysticism, worldbuilding and literary references in an inventive mix …” from the backcover.

It’s probably about 60 thousand words, a common size in the 1970s, with a single storyline, the journey of the main character, Gundersen, returning to the planet after a ten year absence, out of guilt and needing to do penance for his mistreatment of the native species.

When I read old science fiction I’m forever fielding echoes. In this book I was reminded of some of Oscar Scott Card’s work. Comparing the dates of Silverberg’s and Card’s work, I think probably Card got his idea of the melding of the two species from Silverberg. Although, they could both have got the idea from Earth’s own panoply of creatures. Most insects, for example, have vastly different life-stages.

Book 7. Iron in the Soul by Jean-Paul Satre, 1949. This edition translated by Gerald Hopkins and published by Penguin Classics, 2002.

Despite that there was plenty of Jean-Paul Satre around when I was a young student, I was never tempted to read him then. Now I thought, browsing along the shelves at Carindale Library, why would Penguin choose to republish him as one of their classics if there wasn’t something to him?

I read a few pages in the middle—that’s the way I test books for readability—and thought it might be interesting. A whole other viewpoint about the Second World War, this one from the POV of the rank and file of the French Army.
Thousands were taken to Germany and, I read just now, more than ten thousand French soldiers fought alongside the Germans. I wonder if they were given a choice, fight for us or we shove you in a work camp? https://en.wikipedia.org/wiki/France_during_World_War_II

Book 8. Wolf Girl: Into the Wild by Anh Do, 2019 with illustrations by Jeremy Ley, 2019. Published by Allen & Unwin.

Seriously, was a bit of light relief, I zipped through this in about an hour. A story aimed at 8-10 year olds that my grandson lent me. I was interested to read how Anh Do, serious artist, translates into Anh Do, children’s author. His style reminds me of Enid Blyton’s.

There are about a dozen installments. A money-spinner, if you ask me. And yet, Enid Blyton’s vast output was great for struggling readers, giving them lots and lots of practice of the plain vocabulary that they needed to become good readers. So perhaps this is the place for Anh Do’s output in Australia.

Book 9. The Woods by Harlan Coben, 2007. Published by Orion Books.

Returning a bunch of books to the in-house library in the community center, I picked up The Woods because Coben wrote it and I hadn’t read it yet. Pure indulgence. A fast forgettable read. Suspense? Of course. All the t’s crossed and the dots dotted? Yes. “The modern master of hook and twist,” says Dan Brown on the front cover. (Wonder what he got or did to get his name on someone else’s front cover?)