Fiction: Avatar Remaindered, 10

DD

Photo by David Gangur

  1. Sard Learning Himself

Dawn to sun up, when Sard had agreed to meet Greg, felt like hours yet. Out of pure boredom, he started collecting rocks for the border between Gammy’s influence and freedom, placing them every few meters.

Damn, but the day wasn’t lighting up! He turned to where the sun should be rising. For a couple of seconds he didn’t know what he saw.

Clouds? He scoffed at himself. Yes, clouds. I knew that. They bulked up, rising above the ridge as if on fast-forward. The red from the fire of the sun staining their grey portended something awful, a story would say.

Everyone he knew would be gathering in the Pit with Gammy moderating the event. And he’d be out here Storm-Watching on his lonesome? Sick.

The rest of the sky grayed imperceptibly while the anvil, a type of storm cloud that Gammy had introduced last vigil, leaned over him. When Greg took him the five kilometres out, Sard felt small. If that cloud fell on him, he’d be a gnat-sized blot.

He started. What was that?

A bolt. Pure white light zapped to the ground. Never saw that before. His heart thumped. Remembered the word for it. Lightning. Next, the sky like split open—that was the sound—a vast crack! His guts, heart, everything inside him tremored. Despite the suit, he had time to think.

Icy stones rattled to the ground, and he stood there deluged?

< Most incidences of this particularity last 10 minutes or less >

After the stones came the water. Sheeting down. More water than he’d ever seen. More water than he’d ever been in.

< External temperature = falling. Fuel intake recommended. I ≠ alive-to-background > The suit sleeves over his arms and legs blotched.

“Go for it,” Sard said. “I’m not staying out in it.” He jogged Simmond’s way—couldn’t at this moment recall the proper term—along the Clay Face road along the bottom of the ridge. Angling his face against the slashing rain he searched for a place he might recognise. The suit’s eyepieces did not cope and he had to keep wiping them.

There. The roofless room where Ghulia left him about a lifetime ago. What it felt like. The stones lining the slope looked smoothed, machine made. When he was up there before, he’d had no idea he’d be running up them so soon.

The hatch were wedged open, with roll of tent on the floor track. He had no time to wonder who’d organised that. He grabbed food as he went by and ate the energy bars as he negotiated the blessed dark. He relaxed.

In fact, he loitered along First Circle. What a fish out of water he was in his present mode. He hated how he had to be. Even about that kite Rider was putting together for him. What would Sard do with a kite, when he didn’t plan on wandering very far at all? Rider’s plans weren’t his and Greg’s plans weren’t his. What was the use being a hero with no one to be a hero for?

Finally he arrived in the cave with the holo entrance into Crystal Cave. You could say despite his best negative efforts. Uh oh. A shadow jittered in the opening. The person was backlit by the amber glow of emergency lighting. It was the wrong shape for a minion. He cleared his throat, made a noise to test the situation.

“There you are,” Greg said. He handed Sard a roll of clothes. Jeans and shirt. “Clothes in case we meet someone. I don’t think Gammy will know you’re here. He’s pretty busy.”

Glancing aside while he dressed, Sard saw that Greg was in his closed-mouth mode. Fine. The Pit, next door to Crystal Cave, was abuzz with the storm vigil. Much more interesting.

Greg pulled him away. “We’ve got business elsewhere.” The corridors were eerily empty.

When they stepped in the dome, through a curtain of water, Rider was dragging sandbags from the water tunnel. Water gushed through every gap between two pylons. Greg pointed Sard at Mab’s airlock, himself staying at Rider’s. Rider slid bags at them and Sard and Greg built dams around their airlocks, and strung a net across the water tunnel’s maw.

Sard marveled at the depth of the river flowing over the dome floor and down into the water tunnel. Ankle deep, then shin-deep, three layers of sandbags and still the water rose.

A lull in the water sheeting down the perglass dome allowed them a breather. “What’s with the net,” Sard said.

“If you were swept down when the system is in full spate, and it’s getting that way,” Rider said. “You’d arrive down in the cubby jungle as a slow-rot case. For obvious reasons, we’d bury you rather than report you missing.”

Right. Interesting, Sard thought, how the life-suit coped with the downpour, keeping him warm but wet now, instead of dry and perhaps cold. He’d certainly never been as wet. When it came again, the rain was deafening, numbing, an unrelenting barrage.

< With adequate fuel intake, you + I + exterior input = continuous >

Oh.

When the rain eased into splatters on a gusting wind, Rider and Greg fitted plasti-boards to broomsticks—both stored in the ceiling of the water tunnel—and began to shove out the pooling water. As a swath of floor was cleared, Sard dragged sandbags forward and mopped the floor behind them.

“That’s it,” Greg said. “We’ve still got a dome. I’m off. The kitchens call me.”

“Sard, why don’t you stay awhile?” Rider said.

Was there a choice? Sard wondered about the conditions outside. What did he know? “All that water down in the cubby jungle … aren’t the trees floating?”

“Another tunnel beyond and a fall into the sea,” Rider said. He restrung the net along the ceiling of the water tunnel and hung his clothes to dry.

Sard added his jeans and shirt. The life-suit underneath was dry already. When he stripped off the top half of it and let it hang from his waist, the last of the breeze was like a balm on his own skin. He fetched mats from Mab’s airlock. Rider divided his last meal for them both.

Sard forestalled Rider asking for his adventures. “It feels like I’m marking time, in here or out there.”

“You have learned all you need to know about your suit?” said Rider.

It felt like a trick question. “Mmm. Probably not.” He sorted through a couple more possible answers. The suit would best be tested when Sard was tested? Which might lead to uncomfortable inquiries into how he tested his suit now. He settled for his main thought. “It’s like something in me is refusing to get excited about the whole deal?”

Rider’s expression was noncommittal. “And you’ve been thinking that through and trying to come to a conclusion?”

Sard started with the explanation he’d come up with. “My project at the delta is far away in time and place. Between then and now there are only survival skills to be managed and those are taken care of by the life-suit. That’s my problem. I don’t have any way of influencing things to happen and hardly even myself to organise. I’m bored. Already.”

Rider did not smile or act appreciative of Sard’s problems. “I suggest then that you spend the whole next week out. You’ll get the chance to experience many unforeseen situations all requiring their own strategies. Which will also give us more time to work on the kite, progress of course being put on hold by this storm.”

All right. If it was going to be like that. Sard wanted to tell Rider he didn’t want the kite. What use would it be when he’d be staying around the ridge. Waste of everybody’s efforts.

But never mind, Rider was up and ready to take Sard through a couple of patterns. “Ward off the cold,” Rider said. And after that, still not giving Sard any quarter, caught up a pair of staves and clickety-clack fought Sard to a stand-still.

Only then was Rider ready to farewell Sard into the dark tunnels with advice and instructions on what to take for his week-long jaunt into the desert wilderness.

Just Thinking 1: Why Write

In the Fields embroidered by Rita de Heer

It’s useless to be thinking about the future when you are starting out, on anything. You start your working life putting up signs, you have no clue that one day you might be working on high rises installing in glass walls with the help of a robot.

People starting out as writers are the same. I started with writing poetry. I had no idea then that one day I’d take on an sf trilogy.

Nearly everybody here in the Discord’s Writing Cartel has a world/universe that they are either writing into or using as scene setting for any number of creative projects. Yesterday I watched a short film on Youtube, there are people developing games, writing novels, short stories, you name it, it’s being written.

Every one of these worlds/galaxies/universes are huge. Many of us have spent every spare moment of our boring work lives thinking up detail. There will always be areas in any of these worlds that will stay private to their creator, and other areas that will see heavy traffic of stories.

We’re all doing it for the love of it. World building is one of the most satisfying mind games we all engage in, relaxing and psychologically uplifting. Next comes the harder thing. Convincing other people to put their own worlds aside for an hour, and engage with us in ours. So we write stories, develop adventure games, produce visuals, film about our worlds.

The Discord Writing Cartel community is all about sticking our toes in the waters of our worlds, writing though the shallows, and finally committing ourselves to writing fully fledged stories to share first with each other, then with the world.

Only then, with that last word, can you start thinking about how much money you might make.
Though, of course, these are just my own thoughts. Take them well salted.

Writing, what else?

When I’m My characters out of time, in the first draft of Meld are stuck in a patch of mud and I ,part 2 of the Doomed series, as I am today, and don’t yet know how to write my characters them through that experience. I nowadays turn to another project.

Drat. The sentence above had 45 words as it stood. Why can’t I write long sentences in my fiction? (Editors and beta readers often complain.) But I guess I’d better unpack it in the interests of readability.

Something to look at in the meantime … one of my embroideries … Fleeing the Heat

Yes, so I murdered my first first sentence. I’m limited showing you exactly what I did, not yet knowing all the possible ins and outs of what I can do here. The new first sentence reads …

My characters in the first draft of Meld are stuck in a patch of mud and I don’t yet know how to write them through that experience.

When I’m in that kind of situation, I don’t call it writer’s block. That story-stew is merely waiting for new ingredients. Because it was a time jump that got them into their present predicament, the characters need to have a ‘where-are-we-in-space-and-time’ discussion while at the same time protecting themselves from the wild life. I need to research all the ways in which they can discover ‘when’ they are.

In the meantime it’s OK to write a blog post, work on a short story, or even re-organize your media collection so it can be housed on the internal hard drive. It’s all part of writing.

Synchronicity …

One thing leads to another. It all began with me trying to find a place to start publishing my Eleven Islands saga. This blog isn’t it. Blogs are structured for journaling and or writing episodic narrative, as everyone I know who writes a blog has told me. Yes, yes. I will knuckle down and blog.

Though it doesn’t mean I will let the other idea go. I started to look at different kinds of platforms. At the same time re-read some of the material I was deciding to rewrite to fit the new parameters.

Glaze representing water on a ceramic tile that looks like water
Example of a serendipitous event is this glaze that represents water in this ceramic mosaic
that also looks like real water from a certain angle.

Synchronicity happened. While I was writing short blurbs for the Eleven Islands Saga … they are still up, see The Eleven Islands page on this blog … I came across a romantic interlude between two of the younger characters. Inquired about its suitability for the next Worldbuilding Magazine … and away I went, rewriting it to suit.

So, writing has been the go all week on a project that took off after an impulse that led to me joining Worldbuildingmagazine.com

I love synchronicity.

Reprise

‘Reprise’, disappointingly, merely means a repeat of something. I always thought that ‘doing a reprise’ meant making a correction. That the repeat would intentionally be better than the original. Well, that is the flavor of this post.

What I wrote yesterday? Pure verbiage. When I read such drivel elsewhere I move on. Yesterday’s effort shall join the deleted pile.

Mapping is a vast subject when there’s a whole world to be mapped. Or, in this case, when there are eleven islands to describe. And, if there are to be people on the ground doing the mapping, what scale will they use? Travelling on foot, for example, produces a whole different understanding of a world than travelling by ship.

Arit and Hellion, the couple introduced so impulsively, are on foot. So far, if Arit were more involved in the mapping aspect, she might have drawn three parallel horizontal lines in her journal: the lower one representing the edge of the beach, the next two the near and far edges of the red sand road. Beyond the road she could perhaps scribble some shrubbery and outline the wallow …

1-red-aus-road-copy
Same present day road again.

Instead, she and Hellion have involved themselves in the local life, in the story of the Eleven Islands. They’ve just treated a Skin-Torn youth for his wounds and infections. And Arit has drawn her line in the sand. Despite her lack of knowledge of any other people in the scenario, her sympathies are all for the Skin-Torn youth’s people.

As a result, they are in a quandary. As is their trip planner. It’s obvious now that the idea to masquerade them as a pair of neutral, sight-seeing tourists was never going to work. How now to proceed with this project?

Ideas Are Everywhere

Yesterday, when I signed up for another project with an original user name — Arit Reede — I remembered a free-floating, nameless character I’d once invented for an anthology, and how this made-up name would suit her very well.

She was the carbon-knitter companion of a medic at a time when almost all the useful extras of modern life had for one or another reason disappeared. With my next thought, I wondered how to get her and her partner into The Eleven Islands scenario, given that the events for which she was invented, took place in the UK a hundred years from now.

With a certain amount of clandestine shipping still happening, that shouldn’t be too hard. Arit and Hellion like to be constantly on the move. They’ll be able to show us the islands from the point of view of a pair of foreign travelers. Future backpackers if you like, working their way round The Eleven Islands.

Despite the recommendation of ~NO TRAVEL~ to The Eleven Islands, the ship’s boat landed Arit and Hellion at the Southern Ocean end of the Red Sand Channel.

The Red Sand Channel where Arit and Hellion landed

The bosun at the tiller pointed to the island to the west. “Bight, the Isle of Wizards. The wizards leave neither flesh nor bones to be healed when they take their prey.” He changed hands to keep command over the tiller.

Pointed eastward. “Souzadelay. In the north of the island are four city states strung along the coast. A feudal overlord keeps three of them honest. The east south and west are agricultural lands in part, with fortified villages, and of course the delta. People trying to live peacefully. The Clay Faces rove and maraud. They enslave whoever they find on the road or out of their proper encampments.”

Go to my The Eleven Islands page above to read more …